A murder mystery solved by sheep. That premise alone got me into the cinema.
I expected something light and forgettable. The Sheep Detectives turned out to be more than that. Not dramatically more. But enough to stick.
The setup: a shepherd reads murder mystery novels to his flock every night, thinking they can't understand a word. When he turns up dead, the sheep know it was murder. And they think they know exactly how to solve it.
The film is directed by Kyle Balda, best known for the Minions franchise. The script is by Craig Mazin, adapted from Leonie Swann's 2005 novel Three Bags Full. The voice cast behind the sheep includes Julia Louis-Dreyfus, Bryan Cranston, Patrick Stewart, Chris O'Dowd, Regina Hall, Rhys Darby, Bella Ramsey, and Brett Goldstein. Hugh Jackman plays George, the shepherd.
With that cast, the film had to do something right. It does.
The Sheep Work. The Humans Don't.
The sheep are genuinely good characters. Each one has a distinct personality without being a caricature. The visual effects make them feel real, they move with actual weight, which sounds like a small thing but makes a huge difference.
What makes them interesting is how they see the world. Their logic comes from detective novels, overheard conversations, and what they believe to be true. That gap between what they think they know and what is actually happening is where the film finds both its humor and its sadness.
They are not trying to solve a crime. They are trying to understand what it means that their shepherd is gone. That is what the film is actually about.
The human characters don't get the same treatment. They exist to move the plot. I felt nothing when the shepherd died, which says a lot. The film cares more about the sheep than the people, and it shows.
The mystery is the weakest part. The sheep don't do enough actual detecting for a film built on that premise. The clues come together a little too conveniently. The final reveal lands, but it doesn't hit hard.
The tonal shifts are also uneven. The film goes between comedy and grief, and those transitions are sometimes smooth, sometimes not. A few scenes feel like they belong in a different movie.
None of it kills the film. But it keeps it from being as sharp as it could be.
The film commits completely to its premise. It never winks at the audience. It treats its sheep characters with full seriousness, even when they are debating murder theories in a field in the rain. That sincerity is what makes the emotional moments land.
There is a real theme of grief underneath everything. The sheep are processing loss the only way they know how, through the framework of stories. That is a small, quiet idea, and the film carries it well.
I didn't expect to feel anything watching this. I did. Not a lot. But enough.