Were you heavily intoxicated?
Are these daguerreotypes?
Were you using a broken Ouija to channel Robert Maplethorpe before every decision?
I’ll say this. If this is some intentional performance art you’re doing, and the super subtle multiple meanings and connections between the pictures and the text—which may not actually even be there—are intentional and some kind of Deconstruction thing, then you are freakin’ brilliant.
RE: No time to think