Military films often deliver a mixed experience. Some lean into a strong message, whether subtly or overtly, supporting or critiquing a specific conflict or imperial agenda. Unsurprisingly, combat and personal growth amid the horrors of war are key ingredients, usually anchored around large-scale real-world conflicts like World Wars I and II, Vietnam, or the Gulf War. However, with increasing public interest in covert operations (secret missions or activities carried out by a government, military, or intelligence agency in a way that hides the identity of the people or organization behind it), the genre’s scope has broadened and it's in this expanded territory that Land of Bad finds its footing.
Land of Bad follows the journey of rookie Sergeant JJ “Playboy” Kinney, who unexpectedly finds himself deep in hostile territory in the Philippines. He's part of a covert mission to rescue a kidnapped CIA operative, all under the remote watch of drone pilot Captain Eddie “Reaper” Grimm, who oversees the team from headquarters. Predictably, things spiral out of control: team members are killed or captured, leaving Kinney to carry the mission forward with only Reaper’s voice on the other end of a mobile connection for guidance.
On the surface, Land of Bad doesn’t break new ground. The isolated soldier relying on a voice in his ear to survive is a familiar trope. But what lifts the film is the magnetic presence of its cast. Liam Hemsworth, often in the shadow of his brother Chris, continues to prove himself as a capable leading man. In Land of Bad, his performance conveys real fear and vulnerability, while also charting a believable arc of growth and survival. Russell Crowe, portraying Reaper, is refreshingly restrained mostly. While he does indulge in a few of his trademark intense moments, his calm, mentoring presence adds seriousness. His dynamic with Chika Ikogwe is also a strong point, blending tension and humor with ease.
Supporting performances from Milo Ventimiglia, Luke Hemsworth (the other Hemsworth brother), and Ricky Whittle add depth to Kinney’s unit, making the ensemble feel cohesive and credible. Pacing-wise, Land of Bad is tight and efficient, avoiding unnecessary bloat. The action scenes are thrilling without slipping into the unbelievable, and the depiction of injuries strikes a balance between realism and restraint.
One minor criticism is that the film occasionally edges into "military recruitment video" territory, seemingly showcasing advanced weaponry and heroics a bit too proudly. But that’s not unusual for the genre, especially in 2024. Land of Bad does a lot with a fairly standard concept. Thanks to sharp writing and strong performances, it rises above expectations, landing comfortably in the “genuinely enjoyable” category rather than just “serviceable.”
Rating 7/10
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