Download Fabfilter Pro Q 2 For Free
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The FabFilter Pro-Q 2 is a powerful parametric equalizer in the form of a plugin for Windows and Mac OS X. This EQ leaves little to be desired on paper, it offers about the ability to work in linear phase (separately per band adjustable), middle - / page editing and spectral analysis and much more. One of the rarer features for an equalizer is the EQ matching function for transferring the timbre of one sound to another. Other features and specifications can be found as usual in the info box and / or on the manufacturer's website.
The installation is simple and essentially consists of registering with FabFilter online, downloading and installing the latest version. Simply unlock by code and get started. Immediately, the revised user interface of the FabFilter Pro-Q 2 stands out - it can now also be put into full-screen mode. This is very helpful if you make fine adjustments and do not want to work in a small window.
phase settings
Thanks to the linear phase mode, the phase of the signal is not frequency-specific shifted, as is the case with most EQs, at least in the default setting. This potentially results in audibly "cleaner" results. Phase-linear processing is more recommended for surgical procedures and cleanings such as low-cuts. It is always important to note that a certain amount of latency is introduced, which can be summed up with several instances connected in series and, if the delay compensation in the DAW is activated, can lead to an overall delay that is not practical.
For the sound-coloring, creative work the Natural phase mode is recommended, which models in a way similar EQs. The subjective sound quality is very good and the highs sound very far up very authentic and round. You can test this by raising the treble at about 8 kHz and paying attention to the sound change. While cheap EQs sound harsh here, the FabFilter Pro-Q 2 brings a realistic and smooth result, as you would expect from analog equipment. I can only praise the product at this point. Filter types, slopes and gain There are new filter types and edge steepnesses. You can downsample / boost up to 96 dB per octave on all filters - a lot for an EQ.
These filter types are new: Notch - steep and precise lowering of a frequency Bandpass - quasi Low & High Cut at the same time, for isolating frequency ranges Tilt-Shelf - works like a frequency scale or rocker that "rocks" around a specific frequency ... convenient to quickly vary the overall character between bass and treble The automatic gain correction always maintains the loudness level of the input signal. Useful, because when you increase or decrease EQ bands, the levels can change a lot. Fine: The gain of an EQ band can be coupled with the filter quality, so that the EQ curve, for example, becomes steeper and steeper during lowering, and conversely, when it is raised, it becomes ever flatter. This feature also serves to approximate the behavior of analogue EQs.
Finally, the piano editor should be mentioned as an innovation. So you can work on the tones of the chromatic scale. Workflow Bonus: You can also type in the sounds you want using your computer keyboard. EQ match EQ Match lets you analyze the normal input and / or the sidechain signal - the timbre we get (like a tonal footprint) allows you to automatically adjust your EQ settings to make the target signal sound like the analyzed source sounds sound profile. You can determine with how many bands that should happen. When I produce, I rely on my hearing and adjust the tapes myself rather than leaving it to a machine.
However, this feature might be useful, for example, if you want to recreate the sounds of instrument recordings from past sessions - instead of minutely filing the microphone placements and doing stuff else to make the sound, EQ Match is at least a star point for the manual restorative sound shaping. Or to get closer to the sound of a well-mixed and mastered reference track in your ears. Spectral analysis and processing The spectral analysis graphically displayed in the plug-in window allows a visual assessment of the frequency response before and after the equalization process. There are two groundbreaking hitters, namely the ability to use the sidechain to record another signal in order to visualize both input sources on the same analyzer. This makes even more precise interventions possible.
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