Through engrossing long shots and lingering close-ups, he enhances Farooki’s requiem-like treatment of the film. Cynodon dactylon tells U.S.A. regarding the conflict of the mind and therefore the body, love and yearning, life and death, delving somewhere in between paradise lost and regained — it’s an equivalent world, as several would grasp, that was created out of associate author-director’s pen.