Apple’s remarkable rise, coupled with Steve Jobs’ recent death, has prompted quite a few people to reflect on the historical impact of the “t” ad campaign and the “To the crazy ones” commercial that launched it. There have been a lot of different accounts of how the work was created, who conceived it, and how it was presented to Jobs, so I thought now was a good time to share my own perspective and give you an inside look.
How do I know what took place? I was there—right in the thick of it. I was the creative director and managing partner at TBWA/Chiat/Day working on the Apple pitch alongside CEO and Chief Creative Officer Lee Clow. Together, Lee and I headed up and actively participated in all of the work done for the pitch. I was also in every agency meeting with Jobs throughout the process — pre-pitch, pitch and post-pitch.
In writing this story, I’ve drawn from handwritten, dated creative journals I’ve diligently chronicled throughout my agency career as well as files I saved from the 1997 Apple time period (being a packrat often proves useful). In these journals are countless pages of notes and concepts I jotted down during the process of trying to bring Apple back to prominence. I also found the original “To the crazy ones” television script I presented to Jobs, as well as a plethora of rough drafts.