<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[RSS Feed]]></title><description><![CDATA[RSS Feed]]></description><link>http://direct.ecency.com</link><image><url>http://direct.ecency.com/logo512.png</url><title>RSS Feed</title><link>http://direct.ecency.com</link></image><generator>RSS for Node</generator><lastBuildDate>Fri, 24 Apr 2026 04:32:39 GMT</lastBuildDate><atom:link href="http://direct.ecency.com/created/soundengineering/rss.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[BEHRINGER U-PHORIA UMC22 USER EXPERIENCE AND REVIEW - THE BEGINNING OF MY DIGITAL MUSIC PRODUCTION JOURNEY ENG/ESP]]></title><description><![CDATA[Hello everyone, here I m doing a review of my Behringer U-phoria Umc22 studio sound card which happens to be my first and only one I have used. I had learnt abit about music production at this point when]]></description><link>http://direct.ecency.com/hive-106817/@jaydr/behringer-u-phoria-umc22-user-experience-and-review-the-beginning-of-my-digital-music-production-journey</link><guid isPermaLink="true">http://direct.ecency.com/hive-106817/@jaydr/behringer-u-phoria-umc22-user-experience-and-review-the-beginning-of-my-digital-music-production-journey</guid><category><![CDATA[hive-106817]]></category><dc:creator><![CDATA[jaydr]]></dc:creator><pubDate>Sat, 28 Jan 2023 11:47:06 GMT</pubDate><enclosure url="https://images.ecency.com/p/4HFqJv9qRjVecs4xkhd5EvhidWEEBnn9tCVDBkBhQpUFvab78MhbU1VtYz8YQ3F7UgyEFC7jL9TjAyMgrRY6Zei6tptBSzsJ5fmfasML7p7qEGQPmLStU7Pz2isbJ731z3jAgCTMxSVEdciANZFuUpLfbPesGaaM7cJ?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #22]]></title><description><![CDATA[Hey, Steemians! Let's discuss some more Waves plugins today. I'll discuss some plugins that I used for mixing. So, let's get straight to it. API 550: Waves have emulated the 500 series of the API EQs.]]></description><link>http://direct.ecency.com/educatorshowdown/@vishweshv/sound-engineering-and-music-production-blog-22</link><guid isPermaLink="true">http://direct.ecency.com/educatorshowdown/@vishweshv/sound-engineering-and-music-production-blog-22</guid><category><![CDATA[educatorshowdown]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Tue, 20 Mar 2018 16:17:30 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYcTU8GwBudPyAM8FK8eZtP3xq6ScUnbGMi7Tv9Z8SEEqmM94dpnqSW5zwmZTr4SFpf5hj9JVze?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #21]]></title><description><![CDATA[Hello Steemians! Let's talk about the OneKnob series from waves. The OneKnob series really comes in handy when you're mixing on the go. They are easy to use and yield decent results. As the name suggests]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-21</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-21</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Sat, 17 Mar 2018 14:36:09 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYw8MnQJFkgM6wGc5fvgZnTWJ53oBipB748TByKC3BSyUks8zL3XACVijRwsQErLVE33HFzgcmU?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #20]]></title><description><![CDATA[Hey, Steemians! Let's discuss some plugins. Let's start with some Waves plugins. SSL channel strip: It's emulated after the legendary SSL console. I use this plugin a lot for mixing. The EQ is the thing]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-20</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-20</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Wed, 14 Mar 2018 16:39:45 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXZ1g9GPUwFJTQwQRXKk6DDysZWyHR8XDJyKw2hE2ZijYgDU1Hj8P8LhTgCxtf7KkiXDsr6VSuca?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #19]]></title><description><![CDATA[Hey, Steemians! Today I'll talk about some small production/mixing tricks that I use. Give it a try and see for yourself if you like it or not. 1] Sidechaining high hats with the kick. If your production]]></description><link>http://direct.ecency.com/educatorshowdown/@vishweshv/sound-engineering-and-music-production-blog-19</link><guid isPermaLink="true">http://direct.ecency.com/educatorshowdown/@vishweshv/sound-engineering-and-music-production-blog-19</guid><category><![CDATA[educatorshowdown]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Sun, 11 Mar 2018 16:50:54 GMT</pubDate></item><item><title><![CDATA[Sound Engineering and Music production blog #18]]></title><description><![CDATA[Hey, Steemians! Let's Discuss Propellerheads REASON 10. Although I've not used it that much, still I know it pretty well to discuss something about it. The main reason why I like this DAW is that it's]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-18</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-18</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Fri, 09 Mar 2018 12:40:39 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYbRDhTAd76ksgDr9vHvmK1HYXKgLuYMgzxptRssu9qCENrJR4974S6zLosDQiNkP5eSTT8RsTC?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #17]]></title><description><![CDATA[Hello, Steemians! Let's discuss Speakers today. Mostly they're the last in the audio chain. The dynamic speakers are the most commonly used speakers. They are exactly opposite to the microphones. The working]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-17</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-17</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Wed, 07 Mar 2018 14:02:33 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYNVAkf17uafaeYXt5oC6kuXtxM5VsR5Kpqe5AtPRHwX6vMRvmcv5dYvrHjgZ7UXLqAfZCQLCW2?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #16]]></title><description><![CDATA[Hello Steemians! I'm back. I was on a short holiday for the HOLI festival. Alright, let's get started. So today I'm gonna discuss a new DAW: Harrison Mixbus. I chose this one because it is an exceptional]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-16</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-16</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Mon, 05 Mar 2018 15:30:36 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXZ1TTc4vm2NhMxCwVpT9gybR8356wSC35FEUJRyvyCyyhAjXeJRdmLUe2XLARiEZp2fC4rUgCrS?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #15]]></title><description><![CDATA[Hey Steemians! Today I'm gonna discuss Reverbs. Reverb is a reflection of sound. Don't get confused between reverb and echo that we hear in the mountains. Multiple reflections with a very minute time]]></description><link>http://direct.ecency.com/educatorshowdown/@vishweshv/sound-engineering-and-music-production-blog-15</link><guid isPermaLink="true">http://direct.ecency.com/educatorshowdown/@vishweshv/sound-engineering-and-music-production-blog-15</guid><category><![CDATA[educatorshowdown]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Tue, 27 Feb 2018 10:47:24 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYD7mAMxvLU5Q3MoqYh6TBmyJsX7KFvwvUrumwfikAFJ9ufkkdjeKCDea4UNeWBtUxtd2e5fZUz?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #14]]></title><description><![CDATA[Hola Steemians! Let's discuss few stereo Recording Techniques today. Recording is the fundamental process in the audio industry. Mono recording is done using single mic which is very common. Stereo miking]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-14</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-14</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Sun, 25 Feb 2018 16:32:30 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYgfR9gFKRzeoeb1QpzT1eCPYyZjshkCebdbeytxjF3mTcSrpNR4t5tVAViHp3zPcZwSawjBvQE?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Introduccion: Quien soy?]]></title><description><![CDATA[Hola steemians! Permitanme presentarme. Mi nombre es Victor Torrealba, pueden llamarme "Vic" o como gusten. Soy un músico multi - instrumentista (guitarra, bateria, bajo y voz) de 21 años,]]></description><link>http://direct.ecency.com/music/@victorrealba/introduccion-quien-soy</link><guid isPermaLink="true">http://direct.ecency.com/music/@victorrealba/introduccion-quien-soy</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[victorrealba]]></dc:creator><pubDate>Fri, 23 Feb 2018 02:44:36 GMT</pubDate></item><item><title><![CDATA[Sound Engineering and Music Production blog #13]]></title><description><![CDATA[Hello Steemians! Let's discuss the Polar Patterns of Microphones today. Based on how the mic will capture the sound in its vicinity, the Polar pattern of the mic is designed. There are many polar patterns]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-13</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-13</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Thu, 22 Feb 2018 18:05:06 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYqmxo5UjqLqdVbptqdUdwHwWgEWh6s3tZg6qZhFJFAVrNDx36RAmhcxssmdmkZHf8AKiZMjnXx?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #12]]></title><description><![CDATA[Hey, Steemians! Today's topic is Microphones. Mainly mics can be categorised into 3 categories. Dynamic Microphones: These microphones work on Faraday's Law of Electromagnetic Induction. The diaphragm]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-12</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-12</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Wed, 21 Feb 2018 15:58:39 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXa8HipkpXU3seaPkYPSsK3TxeXj5g5L8eVeCnCbt7PsGs3PFioyr9kM7jj3Qi6uXVLFMh2Eh9aW?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #11]]></title><description><![CDATA[Hey, Steemians! So, today I will discuss an interesting topic- Headphones! Being an audio guy, I will say there are 2 types of Headphones: Closed back: These are used in recording. The artist is given]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-11</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-11</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Tue, 20 Feb 2018 02:11:27 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYSWJnZdEKfwkVssiRN69vRxdD5vgpeLL8nhd1KqjTLKmfRDQkbYqtTsRPdQLL6hz6ED7GFQEdL?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #10]]></title><description><![CDATA[Hello, Steemians! Let's continue with our previous discussion on Cables. Let's call it Cables: part 2. So, today I'm gonna tell you about Digital Cables. Digitization in audio industry demanded the use]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-10</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-10</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Sun, 18 Feb 2018 18:00:54 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYkoebnXVP1EKa3q8Tdg4Ssx2QWZGtYagEhsKtUo1HV5srw7UD4ubgsfUwus3kPQovTV5CHBHy8?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #9]]></title><description><![CDATA[Hey, Steemians! today's topic is Cables. Since it's a vast topic, I've decided to split it into 2 parts. So, Let's call this one Cables: part 1. So, today let's discuss analogue cables, the cables that]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-9</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-9</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Sat, 17 Feb 2018 12:25:06 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYrfmo3JLf5vgsTMnbeGsrkQd1HwVNnEnX2o9SJxtaMS6R52VBaVdEFFT5y7YC12RBJa59giP9g?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #8]]></title><description><![CDATA[Hello, steemians! Let's talk about different audio signal levels today. Mainly there are 4 signal levels. 1] Mic level: Audio signal coming from mics(obviously) is called Mic level signal. Lowest of all,]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-8</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-8</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Fri, 16 Feb 2018 16:30:54 GMT</pubDate></item><item><title><![CDATA[Sound Engineering and Music Production blog #7]]></title><description><![CDATA[Hey, Steemians! Hope everyone's doing good. So, let's get started with today's topic: Types of Compression This topic requires basic knowledge of compression. For those who don't know, I have explained]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-7</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-7</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Wed, 14 Feb 2018 19:14:54 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXYNZHN9xhsnQbiHzwqLNxhgK8bc7p6p2WVYWsak8s56dqUtaA3gbTi9C1mMZsdca2w9t11XT1Xk?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #6]]></title><description><![CDATA[Hey, steemians! Let's talk audio interface today. Due to the digitization of audio industry, there was a need for a device that could convert the analogue signal to digital and vice versa. More and more]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-6</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-6</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Mon, 12 Feb 2018 18:17:57 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXZiqDS7Dym5QHXGhVUUSdpuw5SEjBxiNLCVwqghYjRnby46pwQfDYtjGPU4tDoacmKr2nF5qPA6?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Sound Engineering and Music Production blog #5]]></title><description><![CDATA[Alright, today we discuss Preamps(preamplifier). It converts a weak electrical signal into an output signal strong enough to be noise-tolerant and strong enough for further processing OR as we audio guys]]></description><link>http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-5</link><guid isPermaLink="true">http://direct.ecency.com/music/@vishweshv/sound-engineering-and-music-production-blog-5</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[vishweshv]]></dc:creator><pubDate>Sun, 11 Feb 2018 13:13:51 GMT</pubDate><enclosure url="https://images.ecency.com/p/2gsjgna1uruvUuS7ndh9YqVwYGPLVszbFLwwpAYXZz6t8iL2QSHNwH82zAzPwJutBfXA4RJLBUWVPEzXhcayMBa6coexpofyCcCBNzsdwhQ1ExFMwU?format=match&amp;mode=fit" length="0" type="false"/></item></channel></rss>