<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[RSS Feed]]></title><description><![CDATA[RSS Feed]]></description><link>http://direct.ecency.com</link><image><url>http://direct.ecency.com/logo512.png</url><title>RSS Feed</title><link>http://direct.ecency.com</link></image><generator>RSS for Node</generator><lastBuildDate>Tue, 21 Apr 2026 14:58:05 GMT</lastBuildDate><atom:link href="http://direct.ecency.com/created/tritones/rss.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Maryann & the Tri-Tones - My Little Baby!]]></title><description><![CDATA[Junior Hitler likes to play wif his flag pole so this one is dedicated to an anonymous entity afraid of any real discussion over whether to use bots while using bots to attack minnows. Don't forget to]]></description><link>http://direct.ecency.com/music/@onnovocks/maryann-and-the-tri-tones-my-little-baby</link><guid isPermaLink="true">http://direct.ecency.com/music/@onnovocks/maryann-and-the-tri-tones-my-little-baby</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[onnovocks]]></dc:creator><pubDate>Tue, 20 Feb 2018 20:26:30 GMT</pubDate><enclosure url="https://images.ecency.com/p/S5Eokt4BcQdk7EHeT1aYjzebg2hC7hkthT45e98caKUnkJbLaDssEsAwzTuGqJz6EjARMFU?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[How to use tritones in music Lesson 3]]></title><description><![CDATA[We have looked at how to use major, minor and augmented triads, and major 7th tetrads on the RH and the tritone on the LH as the base in voicing certain dominant chords. Today, we'll look at the continuation]]></description><link>http://direct.ecency.com/piano/@americanmose/how-to-use-tritones-in-music-lesson-3</link><guid isPermaLink="true">http://direct.ecency.com/piano/@americanmose/how-to-use-tritones-in-music-lesson-3</guid><category><![CDATA[piano]]></category><dc:creator><![CDATA[americanmose]]></dc:creator><pubDate>Thu, 01 Feb 2018 16:34:30 GMT</pubDate><enclosure url="https://images.ecency.com/p/3W72119s5BjWPGGUiZ9pqnZoj8JHYxCCp9dtn2QVf3YeQErx5DZWb7si6BTNyV9JTfuNrfRY7aKh3AZnMfCBYivGHqr9XhPg4qq7WZVDPdiyKGnAcKp8iA?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[How to use tritones in music Lesson 2]]></title><description><![CDATA[Last time we looked at tritones and how to voice and use them in a progression, especially as passing and approach chords. We considered using major triads over a tritone pair. We mentioned that we could]]></description><link>http://direct.ecency.com/music/@americanmose/how-to-use-tritones-in-music-lesson-2</link><guid isPermaLink="true">http://direct.ecency.com/music/@americanmose/how-to-use-tritones-in-music-lesson-2</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[americanmose]]></dc:creator><pubDate>Sun, 28 Jan 2018 19:29:00 GMT</pubDate><enclosure url="https://images.ecency.com/p/3W72119s5BjWPGGUiZ9pqnZoj8JHYxCCp9dtn2QVf3YeQErx5DZWb7si6BTNyV9JTfuNrfRY7aKh3AZnMfCBYivGHqr9XhPg4qq7WZVDPdiyKGnAcKp8iA?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[How to use tritones in music Lesson 1]]></title><description><![CDATA[A tritone is the division of an octave into 2 equal parts, and is measured as an interval between a note and its diminished 5th i.e. 1-b5. This interval is one of the most dissonant sounds, alongside a]]></description><link>http://direct.ecency.com/music/@americanmose/how-to-use-tritones-in-music-lesson-1</link><guid isPermaLink="true">http://direct.ecency.com/music/@americanmose/how-to-use-tritones-in-music-lesson-1</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[americanmose]]></dc:creator><pubDate>Sun, 28 Jan 2018 19:17:36 GMT</pubDate><enclosure url="https://images.ecency.com/p/3W72119s5BjWPGGUiZ9pqnZoj8JHYxCCp9dtn2QVf3YeQErx5DZWb7si6BTNyV9JTfuNrfRY7aKh3AZnMfCBYivGHqr9XhPg4qq7WZVDPdiyKGnAcKp8iA?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Formation of tritones (in depth) First Lesson]]></title><description><![CDATA[Let's touch the ditone voicing of chords, but before that, let's try to understand why these voicings are overly in use now in western music, especially Jazz and Gospels. First, let's consider the basics.]]></description><link>http://direct.ecency.com/music/@americanmose/formation-of-tritones-in-depth-first-lesson</link><guid isPermaLink="true">http://direct.ecency.com/music/@americanmose/formation-of-tritones-in-depth-first-lesson</guid><category><![CDATA[music]]></category><dc:creator><![CDATA[americanmose]]></dc:creator><pubDate>Sun, 28 Jan 2018 18:05:51 GMT</pubDate><enclosure url="https://images.ecency.com/p/3W72119s5BjWPGGUiZ9pqnZoj8JHYxCCp9dtn2QVf3YeQErx5DZWb7si6BTNyV9JTfuNrfRY7aKh3AZnMfCBYivGHqr9XhPg4qq7WZVDPdiyKGnAcKp8iA?format=match&amp;mode=fit" length="0" type="false"/></item></channel></rss>