<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[RSS Feed]]></title><description><![CDATA[RSS Feed]]></description><link>http://direct.ecency.com</link><image><url>http://direct.ecency.com/logo512.png</url><title>RSS Feed</title><link>http://direct.ecency.com</link></image><generator>RSS for Node</generator><lastBuildDate>Thu, 30 Apr 2026 10:44:01 GMT</lastBuildDate><atom:link href="http://direct.ecency.com/created/typefaces/rss.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Use manual kerning for logo design]]></title><description><![CDATA[The kerning of good typefaces is fine for body text. For headlines you should at least consider using manual kerning. But in logo design it is absolutely necessary to kern manually. What is kerning anyway?]]></description><link>http://direct.ecency.com/logodesign/@michaelbrig/use-manual-kerning-for-logo-design</link><guid isPermaLink="true">http://direct.ecency.com/logodesign/@michaelbrig/use-manual-kerning-for-logo-design</guid><category><![CDATA[logodesign]]></category><dc:creator><![CDATA[michaelbrig]]></dc:creator><pubDate>Sun, 14 Jul 2019 07:46:27 GMT</pubDate><enclosure url="https://images.ecency.com/p/S5Eokt4BcQdk7EHeT1aYjzebg2hC7hkthT45eLRdGqkbKx96NLTJGdGztk21XwriC1Rci2r?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[Don’t stretch, slope or add strokes to fonts]]></title><description><![CDATA[Good fonts are available not only in regular but in italic, bold, and other style. There is no need to re-create fake effects on fonts that are only available as regular. If you need a bold font, and you’ve]]></description><link>http://direct.ecency.com/logodesign/@michaelbrig/don-t-stretch-slope-or-add-strokes-to-fonts</link><guid isPermaLink="true">http://direct.ecency.com/logodesign/@michaelbrig/don-t-stretch-slope-or-add-strokes-to-fonts</guid><category><![CDATA[logodesign]]></category><dc:creator><![CDATA[michaelbrig]]></dc:creator><pubDate>Sat, 13 Jul 2019 12:43:51 GMT</pubDate><enclosure url="https://images.ecency.com/p/S5Eokt4BcQdk7EHeT1aYjzebg2hC7hkthT45eFBUq5bs1oKYn9HibmUEwe967VJrAfY4SqU?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[El ABC de las tipografías clásicas (II parte)]]></title><description><![CDATA[Hoy continuamos con nuestro ABC de tipografías clásicas. En la publicación anterior terminamos con la fuente Helvética, una de gran predilección por los diseñadores en el mundo. Para hoy tenemos la segunda]]></description><link>http://direct.ecency.com/design/@gelasio/el-abc-de-las-tipografias-clasicas-ii-parte</link><guid isPermaLink="true">http://direct.ecency.com/design/@gelasio/el-abc-de-las-tipografias-clasicas-ii-parte</guid><category><![CDATA[design]]></category><dc:creator><![CDATA[gelasio]]></dc:creator><pubDate>Sun, 29 Apr 2018 13:16:06 GMT</pubDate><enclosure url="https://images.ecency.com/p/8SzwQc8j2KJb4ARrxQxCjX4jizub4U5CAK3WwB89rfqNwVt9himtZRN5Dfa9wad7bF8d4Wi2N1mq92WBcg5gKKfKpXGYi5PYtCSSRcCiLjPFmX4kaTx?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[The ABC of classical typefaces (I part)]]></title><description><![CDATA[Typographies are an essential part of any graphic design, as it provides, in addition to the necessary readability that requires any text, character, emotion and feelings that make design an attractive]]></description><link>http://direct.ecency.com/design/@gelasio/the-abc-of-classical-typefaces-i-part</link><guid isPermaLink="true">http://direct.ecency.com/design/@gelasio/the-abc-of-classical-typefaces-i-part</guid><category><![CDATA[design]]></category><dc:creator><![CDATA[gelasio]]></dc:creator><pubDate>Fri, 20 Apr 2018 15:16:57 GMT</pubDate><enclosure url="https://images.ecency.com/p/3W72119s5BjWPGGUiZ9pqnZoj8JHYxCCp9dtn2QVgTfGDHuMewP6WbM3SwpypqEGMGTP8S431R3HEp416avCZEsVnpeEjmUrvnvmLjBj4hy72nHFKApZQA?format=match&amp;mode=fit" length="0" type="false"/></item><item><title><![CDATA[The Lost Typefaces of W.A. Dwiggins]]></title><description><![CDATA[The pioneering designer created dozens of fonts, only a few of which are still around today. he pioneering designer William Addison Dwiggins had a famously good sense of humor. In the mid-1920s, though,]]></description><link>http://direct.ecency.com/art/@nunojesus/the-lost-typefaces-of-w-a-dwiggins</link><guid isPermaLink="true">http://direct.ecency.com/art/@nunojesus/the-lost-typefaces-of-w-a-dwiggins</guid><category><![CDATA[art]]></category><dc:creator><![CDATA[nunojesus]]></dc:creator><pubDate>Thu, 27 Jul 2017 17:25:45 GMT</pubDate><enclosure url="https://images.ecency.com/p/96PguRgYXJ7dTh2JEEisonNtPz1XLgaiXpakKhavowvngzdZK6ffPaMNRF1m2uZK1uJEmFmGraWxhX8uiQcH8AickECG3yQxvN7H9F9wFMoHB6uXYaoqjVJ92z5jWFJwNB4D3bKEgZz9oyifyNj2R4qicuvBe3u9oXam9b9iUug2uYGBx8rgLsgJw5W5eL8awdvREyAsr1GfuongyGSnXsjcULNNQAgczKDXcMXBchfdB2kAEyvFAEdajHzVgMeFSpTtexcVQVa8DXY8oULqxbCFpCmtUvtamLbYFS6PQHeTtPJh6spU66ztW?format=match&amp;mode=fit" length="0" type="false"/></item></channel></rss>