So the legacy in my Estate is strictly Internet-bound and is set here as an example of how I am responding to the concept of art in the age of digital intellectual properties.
The distribution is therefore divided into the three particular areas of intellectual property each influences when it comes to digital art for the Internet.
The first is involved in the identities of digitized images of Strataprints. As a conceptual art this makes examples of the actual objects held as collectibles to create an approach to autonomy built out of digital identifiers that are related to actual objects as possessions.
The second is creating a digital identity related to an intimate relationship with place. It adapts the Land Art identity of the Great Knot to the intellectual properties created along with it that explain it as a cultural heritage site. The object is to link all digital images of it to its location.
The third identifies with the creation of the system that the Internet will forever have as a commentary on knots; relating their creation to every process of interaction that involves transactions between Internet participants. The generation of knots is related to every aspect of application the Internet can conceivably be involved in developing, so it is a symbol for its omnipresence.
