Elvis Preacher
Growing up in Louisiana and the Southern United States in general, you come across certain types of people who identify with certain traditions. Elvis is one tradition and given his Pentecostal roots and "traditional" personality, some preachers try to move in on the image of Elvis as a promotional device. Styles come and styles go but in the "South", everybody loves Elvis, so you're obliged to at least like someone who looks like him.
These drawings develop after I put pencil to paper. Once starting at any point, I continue to draw the eyes, nose, contour of the face, dress, etc., and after much development, give the drawing a character name. There is no preconceived thought going into doing these drawings. They are inside of me and must come out, kind of like the way Michelangelo described the image in his sculptures.
Louisiana Faces
We all observe the things we see and make use of our sight but most people are not conscious of what they are seeing. An artist thinks of the texture of things, the way the light falls on a face, is it a shiny or dull finish, is it close or far away. An artist consciously studies the visual universe which includes the facial expressions of everyone we see every day. The living creatures in the world are the most interesting because they have changing facial expressions. Humans are most interesting because they react to other human beings who might be observing them.
An artist studies the human expression of another human being or, more exactly, their physical expression. Of course, the soul is in there somewhere, orchestrating the expressions, but how can an artist draw a soul? The physical expression is the only way to attempt to capture something that the soul is trying to express. I can be talking with someone and get so interested in their facial expression that the verbal conversation becomes non-existent. For an artist, a visual conversation has the power to consume a verbal conversation at any time.
Here below are a few images that are composites of people I have seen over many years of studying faces in the Southern United States. I call them “Louisiana Faces” because they were done while in Louisiana, where I was born and raised. They all come from my imagination and memory of faces I have seen or studied over many years. No one sat down for me to draw these faces. These characters may be based on observations of certain people with various titles or jobs. None of the drawings are of particular people.
See more of the art of Ray Istre at www.rayistre.com