Jeffery Scott (or 1019) is a very impressive artist & photographer. His works are not for the faint of heart, though. Although some of his creations are beautiful and sexy, whereas others are scary, dark and even somewhat revolting.

Take a big breath and prepare your stomachs, please.

Seeing that Jeffery Scott has such a large portfolio, I'll be posting this as a series of 5 posts. This is the first part, which I'll call:

Half Woman / Half Machine - Part 1

^{A Self Constructed Fool For The Machinery}

^{All That Remains Is Sacred - Clothed Version}

^{An Illustrated Erring Sister Of Cybernation}

^{And At The End Of The World - All That Remains Are Three}

^{Angelic Martyr For The Biomechanical Masses}

^{Basement Of The Defective - Disfunctional}

^{Caught Between The Reality Of Her Machinery And Humanity}

^{Draining The Colors From The Butterfly Wings}

^{In Contemplation Of A Life Eternal}

^{Like Rain On The Face Of One That Cries}

^{Machinery - Freedom And Visual Literature - The Remodel}

Self Help In This New Age - 2.jpg
^{Self Help In This New Age - 2}

^{The Monumental Task Of Retiring The Old Baggage Of Decaying}

^{The New American Family And The Perfect Purchase}

^{The Sound Of Metal And A Plea To Pull The Plug}

^{The Spine That Defines The Current Times Of Technology - Disfunction}

About the author

(Description from his own website)

"Jeffery Scott creates photographic images that stretch boundaries and redefine standards. His photographs are powerful juxtapositions of light and darkness.

In the first twenty years his artistic life revolved around painting, sculpting, and production design for music videos, television commercials and motion pictures. Then, in an effort to produce a more exacting science behind his artistic vision, photography became the chosen medium for expression without compromises.

It wasn't until November, 2002 that Jeffery Scott made the switch from sculpting and painting to photography full time. His first series explores this change and illustrates his transformation into a more complete art.

In December of 2003, Jeffery Scott began developing his second series. His photographs became for him what his paintings always wanted to be. The ideas were more complex than before. The photographs represent an average minimum of fifty hours of meticulous work. All elements within the piece represent dozens of images combined and layered to construct the over-all whole, creating complex environments, settings and landscapes.

The photos can be looked at as layers upon layers of information communicating, to the viewer, a series of in-depth philosophies, concepts and stories.