Jeffery Scott (or 1019) is a very impressive artist & photographer. His works are not for the faint of heart, though. Although some of his creations are beautiful and sexy, whereas others are scary, dark and even somewhat revolting.

Take a big breath and prepare your stomachs, please.

Surreal and Sinister Woman Portraits

^{And Sometimes The Beast Leads Me}

At The Creatures Core.jpg
^{At The Creatures Core}

^{Confrontation With The Realities Within}

Even Our Man Made Question.jpg
^{Even Our Man Made Question}

^{Filthy Lessons In Judgemnt And Morality}

Hell Hath No Fury.jpg
^{Hell Hath No Fury}

^{Man Made Love Wanders Aimlessly In The Furnace Room Below}

^{Memories Of Never Known Futures}

^{Memories Of The Real Held In Cold Storage}

^{Ruptured Reflections On Her Failed And Corrupted Inner Child}

^{The Return Of That Hollow Fractured Feeling From Last Week And Other Potentially Discarded Notions}

^{The Reversal Of Blessings Through Man Made Celebrity}

^{Time To Wash Off The Industry Of The Day}

^{Voluntary Submission To The Influence Of Bastardized Values}

^{Wasted Warpaint In The Storehouse Of Broken Memories And Regrets}

^{Within The Eyes Of The Fallen Babylon}

About the author

(Description from his own website)

"Jeffery Scott creates photographic images that stretch boundaries and redefine standards. His photographs are powerful juxtapositions of light and darkness.

In the first twenty years his artistic life revolved around painting, sculpting, and production design for music videos, television commercials and motion pictures. Then, in an effort to produce a more exacting science behind his artistic vision, photography became the chosen medium for expression without compromises.

It wasn't until November, 2002 that Jeffery Scott made the switch from sculpting and painting to photography full time. His first series explores this change and illustrates his transformation into a more complete art.

In December of 2003, Jeffery Scott began developing his second series. His photographs became for him what his paintings always wanted to be. The ideas were more complex than before. The photographs represent an average minimum of fifty hours of meticulous work. All elements within the piece represent dozens of images combined and layered to construct the over-all whole, creating complex environments, settings and landscapes.

The photos can be looked at as layers upon layers of information communicating, to the viewer, a series of in-depth philosophies, concepts and stories.