Greetings friends of steemit, this time make a post that serves as a tutorial for digital illustration using Corel Painter 12; anyone who manipulates design programs knows that we often go through the process of "trial-error" trying to achieve magical finishes that allow us to highlight our final result, in this guide I show you my painting process in depth and I give you some tips for that you can obtain we are much better.

SPANISH

Saludos amigos de steemit, en esta ocasión realice un post que sirve como tutorial para la ilustración digital utilizando Corel Painter 12; todo el que manipula programas de diseño sabe que pasamos muchas veces en el proceso de "ensayo-error" tratando de conseguir acabados mágicos que permitan resaltar nuestro resultado final, en esta guía te muestro mi proceso de pintura a fondo y te doy algunos tips para que puedas obtener resultamos muchos mejores.

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WELCOME TO THE WORLD OF COREL

In my previous posts I highlighted the importance of using Corel Painter as a tool for beginners, I recommend it since unlike Adobe Ps the parameters of the brushes are easier to calibrate and the finish is much more realistic.

En mis post anteriores destaco la importancia de usar Corel Painter como herramienta para principiantes, yo lo recomiendo ya que a diferencia de Adobe Ps los parámetros de los pinceles son mas fácil de calibrar y el acabado es mucho mas realista.

Example of Illustrations of Hive account@oscurity
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WE START / COMENCEMOS

There are two alternatives to create your canvas, opening: (FILE-NEW) or directly by clicking on NEW on the promotion screen that appears immediately upon opening the program.

Characteristics of the canvas / Característica del lienzo

This part is very important, the following image shows the size of the canvas: width / length and resolution, likewise the texture of the canvas in this case I have selected the grain type sheet. I recommend that you work with the width and length in 1500 and the resolution in: 1500 to begin.

Create your sketch / Crea tu boceto

We make our sketch, you can use the pen and place it in 40 percent opacity, or use the (pencil 2b), try to make your strokes as clear as possible and then regulate it with the equalizer in the effects option.

USE DISTRESS / UTILIZAR EL DISTRESS

When you select the (Distress) that we achieved in Effect-Surface control, this mini screen appears with all these parameters we are going to place them as it is in the image, the distress what it does is apply dark light to our image we can apply it with the sheet grain.

WE APPLY THE TEXTURE WITH THE DISTRESS / USAMOS EL DISTRESS PARA TEXTURIZAR

You can see the repertoire of paper that accompanies the base of Corel Painter, however you can create any type of texture and this part is important because later this will help you to create skins, backgrounds, clothes, everything you need so that your paintings remain Real, I will teach you how to create papers quickly.

Puedes observar el repertorio de papel que acompaña la base de Corel Painter, sin embargo tu puedes crear cualquier tipo de textura y esta parte es importante porque mas adelante esto te servirá para crear pieles, fondos, ropa todo lo que necesitas para que tus pinturas queden reales, te enseñare como crear papeles rápidamente.

Creating the papers (textures) in Corel is very simple you can extract them from the internet, you can create them if you have a tablet, you can download them in the Corel database if you have the original program like me, the first thing you do is select the whole texture by applying ctrl + to then go to the upper right symbol in libraries paper press and finally press capture paper, you will get an ignore image and press just ok, that image in future post will teach you to create the paper in advanced mode.

Crear los papeles (texturas) en Corel es muy sencillo puedes extraerlas de Internet, puedes crearlas si tienes tableta, puedes bajarlas en la base de datos de Corel si tienes el programa original como yo, lo primero que haces es seleccionar toda la textura aplicando ctrl+a luego vas al símbolo superior derecho en libraries paper lo oprimes y por ultimo pulsas capture paper, te saldrá una imagen ignórala y pulsa solo ok, esa imagen en futuros post te enseñare a crear el papel en modalidad avanzada.

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Although you do not believe in these two illustrations there are more than 50 types of textures that I had to create to make the paintings realistic, the skin, the background, the feathers all contain textures.

Aunque no lo creas en estas dos ilustraciones hay mas de 50 tipos de texturas que tuve que ir creando para que las pinturas quedasen realista, la piel, el fondo, las plumas todo contiene texturas.

Painting process / Proceso de pintura

Everyone has a different way of illustrating, everyone works as they feel more comfortable remember that this guide shows you the way in which I am comfortable but maybe you get a way that is much faster than mine, it is only question to go testing, you should always have a color palette thinking of the basic colors of your character in my case gray, colors to highlight your character and obviously the light, although you do not believe many colors are touching the limit of white more than everything where light is projected but ATTENTION never tend to be completely white.

Cada quien tiene una manera de ilustrar distinta, todos trabajan como se sientan mas cómodo recuerda que esta guía te muestra la manera en como a mi se me hace cómodo pero quizás tu consigas una manera que sea mucho mas rápida que la mía, solo es cuestión de ir probando, siempre debes tener una paleta de color pensando en los colores básicos de tu personaje en mi caso grises, colores para resaltar tu personaje y obviamente la luz, aunque no lo creas muchos colores están tocando el limite del blanco mas que todo donde se proyecta la luz pero ATENCIÓN nunca tienden a ser completamente blancos.

BRUSHES AND PARAMETERS / PINCELES Y PARAMETROS

(

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I always use the:

Blenders bristle
Digital airbrush
Add photo (adds textures)

You can see the three main brushes that apply in this illustration, I always apply the blender bristle that is an alloy between the oils and diffused, later I apply the digital airbrush to give realism to the image and remove imperfections and finally I apply the texture, you can see the texture of the brushes in the image. I always calibrate my brushes at an opacity of (29) percent.

Puedes observar los tres pinceles principales que aplique en esta ilustración, siempre aplico el blender bristle que es una aleación entre el oils y difuminado, posteriormente aplico el digital airbrush para darle darle realismo a la imagen y quitar imperfecciones y por ultimo aplico la textura, puedes ver la textura de los pinceles en la imagen. Siempre calibro mis pinceles en una opacidad del (29) porcentaje.

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Super fast painting Hive account@oscurity art.

REMEMBER / RECUERDA

The configuration of the parameters are very important if not your brush will not be well calibrated and your result will not be optimal.

Blenders bristle: opacity: 29 viscosity: 10 blend and wetness 90
Digital airbrush: opacity: 29
Add grain: what you are looking for

TIPS / CONSEJOS

ENGLISH

Do not be afraid to play with brushes
Do not get frustrated if it does not come out the first time
The digital tablet catapults you to be professional not the mouse
Take tutorials from professional painters as a guide

SPANISH

No tengas miedo de jugar con los pinceles
No te frustres si las cosas no te salen a la primera
La tableta digital es la clave para llevar a un nivel profesional no el ratón
Toma guías de tutoriales de profesionales
COREL PAINTER 12
DURATION: 18,54 hours all ilustrations
BRUSH: impasto, bulge, dodge, burn, add grain, saturation, distort, pencil 2b, blenders bristle others
Difficulty: HARD
Size: 1100x1200 x 1400mp