And that's how revolutions have started. Exactly. You know, whether to write a written piece or a painted piece, it sparks off.
The revolution is remembered for maybe the leaders who led it and all the people who did it, and not that who had sparked it off. The spark started some way back. And what Art Search said about that, the caves of La Salle and all those ancient paintings, so much I connect with that, because a lot of it is manifestation, even though it was a celebration maybe of a hunt that took place.
But they would like to keep on having that healthy feasting, that they had food and all that. And so it was to help manifest that, hopefully, a blessing that they continue to always be provided with. And thus, putting it on there as a permanent picture or making it manifest, basically, that's what one of the things is, is we do want to see, we do see the world in a much wider vision and way ahead than most, as Bobby says, normies.
As creatives, we have that in us. And I think that's where our art comes in handy, because we have this magic, I feel, it's a blessing, a gift, a magic wand that we have, that we need to use as best as we can to help with that. And no, not everybody has to.
It's like, no, why should I have to? No, you don't have to. But if it does, that's an awesome feeling. Love that, love that.
And I think, you know, we shouldn't be defined by anything. I mean, I think if anything, artists crave freedom. You just want to reflect an ephemeral, a transitional moment of beauty.
That's cool. You want to be anarchic and funny. You should do that.
But when, you know, you get this, you feel a compulsion to get a message out. That's another thing as well. Yeah, no, I totally agree with you guys.
And so, like, during art school, I faced some heavy critique. I tend to focus towards conflict, conflict in a lot of different ways. So, like, conflict in contrast, conflict in light and dark tone, color theory.