This is something I would do with a pencil. Yeah, absolutely. Yeah, I've really worked at trying to get AI to understand graphite and textured paper and things like that.
So I use a lot of pencil drawings here; a lot of my work is on watercolour paper. So I've got lots of examples. I basically just take pictures of the paper itself and things like that, and then I use that as a reference point.
And then I use my different drawings to sort of show weight in the graph, like how much weight I'm using and things like that. Because what I found was AI has a tendency to do single line weight, like single weight. It doesn't thin out at the end and things like that.
So, like, how do you get it to understand that, you know, there's weight to the instrument as you're working, right? And so trying to get nuances like that, that sort of human touch feel stuff. So when you're saying weight, I'm thinking value? You'll be able to create the value? Less and dark, more pressure, less pressure? More pressure, less pressure. Also, yeah.
Like, you know, the different pressure and the different, so it creates different values. Yeah, absolutely. And, you know, you touched on something else as well as, you know, you can go from like a super hard graphite to, you know, charcoal, for instance.
And so I have a lot of charcoal, you know, quick sketches and things like that that I did through art school and, you know, exercises and stuff like that. So I input a lot of that work. Okay.
