Actually, I think it's like three of them or whatever. But yeah, it's really cool, and that's what made me think about you. There's another beat, and I'll send that to you, Kara.
I like it when people, there's a lot of people who, they think you can do it so fast, and I do, and I'll get off my soapbox fast, but like the AI stuff, you can keep throwing stuff at people, but that's what they don't remember, and there's going to be this time. But plus this reckoning where if you just do it on the AI stuff, the AI owns your song. If you don't do nothing to it, you have to do something to it to show that you have some ownership of it, and I really like the back and forth, and really, even if you're not next to somebody, you can still collaborate, right? And so you go back and forth, and be like, yo, this is my idea, but a lot of people are like, no, no, no, I just sent you the beat, so just send me your verse, like finish, and then whatever, then put it together.
You know what I'm saying? I like real collaboration with artists, which is one of the things that makes Drop the Mic so good, because we all kind of vibe with it and shit like that. You can't really take the human out of the music, so yeah, that was my TED Talk for today. I love your TED Talk, Donnie.
It's a great song. I appreciate you finding something to share with us. It was awesome.
Yeah, it was hard to find something to share with the peons, but you know, I wanted to come down and do it. I know, I know. It's a big deal.
I get it. All right, I think we're back around to host. Cool.
Cool. We're up all night to get some. She's up all night for good fun.
I'm up all night to get lucky. We're up all night to the sun. We're up all night to get some.
We're up all night for good fun. We're up all night to get lucky. We're up all night to get lucky.
We're up all night to get lucky. We're up all night to get lucky. We're up all night to get lucky.
