Yeah, I won't say it was an amazing poem. I always, I love to hear your poems and hear you read them, Blue to Black, and this was a really heavy one but it punched, a big punch, so it was a lot of emotions and as you say sorrow and then I felt also the beauty, the connection, the imprint you do, the kind of writing yourself into each other's stories that will kind of, how to say, always be a place sacred and saved for such things that one has encountered and like for real love, so absolutely amazing. Thank you.
Word, especially the audience of very, very kind of listen very carefully in terms of kind of one thing to find the kind of fakeness, the believability in spoken word is absolutely important. So in order for you to really be real, you have to write what's real. And in order to write what's real, you have to explore your own emotions and your own vulnerabilities.
No, definitely. I actually put up Pep's work up there just now, because he will remember this piece, right? The one he had made, What You Don't Say. And I think we had this kind of discussion earlier was the things we don't say or get to say.
And sometimes too late or sometimes we just don't have the power to say it. And they're left unsaid. So it just reminded me of his work.
I put that up there too. So because I think that's the way art, it's a response. It's the resonation to your point, to what you said, is this piece of work.
I thought it would resonate well. Correct me if I'm wrong, Vicky. No, you're absolutely right.
You're correct. But we have Fen who I've been trying to speak with for the past few spaces. She's been in and out and all about.
I do want to welcome her. And how are you doing? Happy Sunday, Fen. Hi, happy Sunday.
Yeah, I hear you. What are you? First of all, I'm starving because you speak about food a lot. And after that, I'm inspired by all your poems.
