I had a muse, quite a fancy, with some charcoal that Bobby Dickler did. I love charcoal work. And I can't draw the human body for the life of me, but I can do all kinds of landscapes.
So that always tickles me when I see your do work. So I'm going to recite this. It's based on music, and I hope you love it.
Most of an undertaker is woven into beaten thoughts. He's the same mirrored cleft among riddled sharps. For it was a flat into focus of a double time skipping on a whole note.
And the rest is giving me goosebumps of a heart producing those sixteenths of a high-hat relief. Reveling in abundance of a constant repeat of embellishment, settlement, and refrain. That's coupled with a fury of must-brightening bridge to articulate.
And thumbing, and thumping, and showing how I feel with the music produced. It induces visual appeal. Thank you.
That's for all of you. Thanks for having me up here. Thank you.
That was nice. And you were inspired by Bobby's charcoal drawing. Isn't that something? See, that's what I was thinking about.
You just never know where you get inspiration from. And look who else we have up here. Who's always inspired by what's happening around him.
Happy Sunday. How are you? Hi, Fanny. Yeah, I'm fine, thank you.
How are you? Doing good, doing good. We're celebrating the 100th episode today. Well, 101 because we got rugged.
- Room 101. That's awesome.
That's quite an achievement. Where have you been up to? Well, I've got some good news today. I'm part of the Bee, Pawn, Shepherd, Fairy exhibition he's doing called Resist and Obey, or Obey and Resist.
Oh, yes. I wanted to put something in there, and then I got lazy. I got some other stuff.
But all right. Congratulations. Do you have the piece that you can share with us so we can see which one? Do you know what? I actually put about five in, so I don't actually have a clue which one has gone in.
