It's that muse, it's when you're in emergency. Yeah, you're absolutely right. You've got to accept some failures.
But there's no Ctrl-Z on a piece of paper, is there? Yeah. Even though I've tried to pinch-zoom paper before, because I use, what's it called, procreate a lot. And I found myself, oh, shit, I can't do that.
I've just got to move back a little bit, which is weird. It is a weird sensation with the tech, eh, in the fact that you can bounce back a couple of steps. But then I also find myself running myself out in digital format as well.
And I've gone so far where backing up will erase way too much. And then it's like, what do I do now? I should have separated things in layers. Uh-oh.
There's no undo button. I'm sorry, when you're on paper, there's no undo button. Actually, I like it that way, I like the undo buttons.
I can't, it sort of bothers me, because I forget layers, and then I undo the wrong thing, and the whole damn thing disappears on me. So it's like, okay, I still am writing with procreate. But I did share one of my graphite pieces with, that was done with pencil, totally, all of it, and then went over watercolor over it.
I'm still working on it. It is going to be put in something. So, just because we're talking about graphites and watercolor, it's not an ink, so I might put an ink in it.
You know which medium I find the most satisfying, but also very frustrating? It's oil pastels. Oh, I don't enjoy working with oils, because I don't have the patience for it to dry. I'm fascinated by it, but oil pastels, yeah.
