That's why we call it macro lens. So the thing is, you know, I'm just having so much fun because of all the details. And usually people use macro lens to, you know, photograph, let's say, the flowers or the bugs or something, the eyes of, you know, let's say a fly and you'll see the beautiful colors and all that.
But I'm not necessarily using the macro lens for that. I mean, I have done a couple of flowers and all that, but I think I'm using the macro lens for something else. I'm using it for, you know, the intentional camera movement when I'm creating something, something very mundane, you know, creating something surreal or, you know, using the orbs of the light bulb and, you know, seeing something else and then photographing it differently.
So I'm also enjoying it. I don't know, I mean, how good the outcome is, but I have to say I am having an amazing time. And also in the Bay Area, you know, in San Francisco Bay Area, we hardly get the rain.
But this year, we're getting the rain and it's so beautiful. The clouds are so beautiful. I always keep saying this, you know, I used to go to Miami and in Miami, you know, there will be like these little showers comes and goes.
And so the clouds are always fantastic. I'm like, we don't see clouds like this. And now we do.
And you know, they're all different kinds of clouds rolling in together. And sometimes I can just see it sitting on my, on my sofa, from the living room, I look out and I see that. And it's so mesmerizing.
So I'm having fun, you know, photographing the clouds every day. Sometimes I keep posting them now and I sometimes think, I'm sure people are getting so tired of it. But I am having a lot of fun.
So I kind of very different, you know, journey, very different process. But I'm having fun creating something out of nothing, you know. I think that's the thing, isn't it, Vicky? And I know she's going to back me up because, again, as a teacher, we have gone through this thing where you go through stuff.