讛讛讬住讟讜专讬讛 砖诇讬 注诐 诪讜讝讬拽讛 讛转讞讬诇讛 讘讙讬诇 6 讻砖讛讛讜专讬诐 砖诇讬 诇拽讞讜 诇拽讜谞爪专讟 砖诇 讛转讝诪讜专转 讛住诪驻讜谞讬转. 讗讞专讬 讛拽讜谞爪专讟 讛诐 砖讗诇讜 讗讜转讬 注诇 诪讛 讗谞讬 专讜爪讛 诇谞讙谉. 讗诪专转讬 诇讛诐 砖讗谞讬 专讜爪讛 诇谞讙谉 注诇 拽讜谞讟专讘住
讗讝 讛诐 砖诇讞讜 讗讜转讬 诇谞讙谉 注诇 爪'诇讜 砖讝讛 讛讬讛 诪注讬讬谉 讗诇讟专谞讟讬讘讛. 诇诪讚转讬 诇讞讬讜转 注诐 讝讛 讜注诐 讛讝诪谉 讛讘谞转讬 砖诇讗 讘讗诪转 砖讜诪注讬诐 讗转 讛拽讜谞讟专讘住 讘转讝诪讜专转, 讛讜讗 住转诐 谞专讗讛 诪讙谞讬讘
谞讬讙谞转讬 砖讘注 讜讞爪讬 砖谞讬诐
诇讗讜专讱 讻诇 讗讜转诐 砖谞讬诐 讛讬讬转讬 讞住专 诪砖诪注转 讜爪注讚转讬 讘诪拽讜诐 讻诪讛 砖谞讬诐. 转诪讬讚 砖谞讗转讬 砖讗讜诪专讬诐 诇讬 诪讛 诇注砖讜转 讜诇讗 讛讘谞转讬 砖讘诪讜讝讬拽讛 拽诇讗住讬转 讝讛 讻诇 讛拽讟注 ...专讜讘 讛砖谞讬诐 讛讬讬转讬 注诐 诪讜专讛 砖谞转谞讛 诇讬 讛专讘讛 讞讜驻砖 讜谞转谞讛 诇讬 诇谞讙谉 讬爪讬专讜转 讜讬专讟讜讗讜讝讬讜转 . 讛讬讗 讛讬讬转讛 讘谉 讗讚诐 诪讚讛讬诐 讜诪爪讞讬拽 讜讛讬讗 讛讬讬转讛 讻诪讜 诪砖驻讞讛 讘砖讘讬诇讬 讻诇 讛砖谞讬诐 讛讗诇讜. 讗讘诇 转讻诇住 诇讗 注砖讬转讬 讻诇讜诐 讛讬讬转讬 注爪诇谉 讜诇讗 谞讬讙谞转讬 讘讬谉 砖讬注讜专 诇砖讬注讜专. 讛讙注转讬 诇讻诇 砖讬注讜专 诇讗 诪讜讻谉 讜讛诪讜专讛 驻砖讜讟 讗讛讘讛 讗转 讛讻砖专讜谉 砖诇讬 讜讛砖诪讬注讛 砖诇讬. 讬讜诐 谞讬住讬转讬 诪讜专讛 讗讞专转 讜拽讬讘诇转讬 讻讗驻讛 诇驻谞讬诐 讛讬讗 讚专砖讛 诪砖诪注转 讜拽专讬讗讛 诪注诪讬拽讛 讘转讜讜讬诐 讜谞转谞讛 诇讬 讬爪讬专讜转 诇诪转讞讬诇讬诐. 讛专讙砖转讬 谞注诇讘 讜讞讝专转讬 诇诪讜专讛 讛拽讜讚诪转. 讗讝 讬讜诐 讗讞讚 讛诇讻转讬 诇诪讘讞谉 注诐 讻诪讛 砖讜驻讟讬诐 诪讻讜讘讚讬诐 砖驻砖讜讟 讗诪专讜 砖诪讛 砖讗谞讬 注讜砖讛 讝讛 讞专讗
讛讘谞转讬 砖讘诪讜讝讬拽讛 讛拽诇讗住讬转 讛讞转讬诪讛 砖诇 讛诪讜住讚 拽讜讘注转 注诐 讗谞讬 讟讜讘 讗讜 诇讗 讜讛讘谞转讬 注讚 讻诪讛 讛讞讜驻砖 拽讟谉. 讻诇 诪讛 砖讚讬诪讬讬谞转讬 注诇讬讜 讝讛 诪讛 讗谞讬 讗注砖讛 讻砖讗谞讬 讗住讬讬诐 讗转 诇讬诪讜讚 讛谞讙讬谞讛 讜讗讬讱 讗谞讬 讬爪讗 诇讞讜驻砖 讜讗诪爪讬讗 讗转 注爪诪讬 诪讞讚砖.
讘讗讜转讛 转拽讜驻讛 讙讬诇讬转讬 讗转 讛讙讬讟专讛 讘诪讞谞讛 诪讜讝讬拽讛 讘注讬谉 讛砖讜驻讟. 讛讬讜 讻诪讛 讗谞砖讬诐 讘讞讘讜专讛 砖讛讬讬转讬 讘讛 砖谞讬讙谞讜 注诇 讙讬讟专讛. 专讗讬转讬 讗讬讱 诪谞讙谞讬诐 注诐 驻专讬讟讛 讞讜驻砖讬转 讜诪讗诇转专讬诐 讞讜驻砖讬. 讜讞砖讘转讬 诇注爪诪讬- 讛诐 讞讬讬讘讬诐 诇讛讬讜转 注爪诇谞讬诐 讻诪讜谞讬... 讗讝 讛转讞诇转讬 诇谞讙谉 注诇 讙讬讟专讛 讜注讚 讛讬讜诐 专诪转 讛讟讻谞讬拽讛 砖诇讬 谞诪讜讻讛 讬讞住讬转- 讛拽讚砖转讬 讗转 注爪诪讬 诇讬爪讬专讛 讜诇讞讜驻砖. 讗谞讬 诪拽讜讜讛 砖讘讝诪谉 讛拽专讜讘 讛讗诇讘讜诐 砖诇讬 讬讜讜诇讚 诪转讜讱 讛讗讙'谞讚讛 讛讝讗转
讗讝 诇驻谞讬 砖谞转讬讬诐 讛驻住拽转讬 诇谞讙谉 注诇 爪'诇讜
讗讘诇 讘讝诪谉 讛讗讞专讜谉 讛转讘讙专转讬 拽爪转 讜讗谞讬 诪讜爪讗 讗转 注爪诪讬 诪转诪住专 诇诪注专讻转 讜诪谞讙谉 讬爪讬专讜转 砖诇 诪转讞讬诇讬诐 注诇 讙讬讟专讛
讝讛讜 住讜驻讙'讟讜 诪讗转 讘讗讱
My history with music started at the age of 6 when my parents took me to a concert of the symphony orchestra. After the concert they asked me what instrument I wanted to play. I told them I wanted to play double bass
So they sent me to play the cello- that was an alternative way.And I learned to live with it. over the time I realized that you do not really hear the double bass in the orchestra, it just looks cool.
I played seven and a half years
All these years I had been disorganized and had been wasting time for a few years. Most of the years I had a teacher who gave me a lot of freedom and let me play virtuoso compositions that children. She was an amazing and funny person. she was like a family to me all these years. But I did not do anything. I was lazy and I did not play between the lessons. I came to every class not ready - the teacher just loved my talent and my hearing. One day I tried another teacher and it was relly hard. She demanded discipline and a deep reading of the musical notes and gave me compositions for beginners. I felt insulted and went back to the previous teacher. So one day I went to the test with some respectable judges who just said that what I did was shit.
At that time I discovered the guitar in a music camp in Ein Hashofet. There were several people in the group I was in who played guitar. I watched them playing with freestyle and free improvisation. And I thought to myself - they must be lazy like me ... So I started playing guitar and to this day my technique is relatively low - I dedicated myself to creativity and freedom. I hope that in the near future my album will be born out of this agenda
So two years ago I stopped playing the cello
But lately I've grown a bit older and I find myself giving myself up to the system and playing guitar compositions for begginers...
This is Solfeggietto by Bach
played by Orel Ugorsky
鈻讹笍 DTube
鈻讹笍 IPFS
my cello
