Recently, the Internet has replaced traditional art institutions as the main platform
production and distribution of art.
Modern communication
tools and information flows not only allow, but force the artist to work in the "big art world".
This condition allows to move away from local art battles and provincial problems.
To focus on the research and work
with concepts such as "digital free",
unimpeded exchange of knowledge, "new copyright", different codes, overcoming
the boundaries of corporeality, new sensual experiences
and to work actively with the graphical virtual neural network algorithms.
"... there is another question: who is the audience of the Internet? They may not be separate people.
But God for
this is also not required: the Internet is a big, but finite.
In fact, the audience of the Internet known to us is the algorithm
like those used by Google or the NSA." Boris Groys
"Today desire of non-identity, outputting of the artist outside of his historical context, we are more interested than that context. And I think that the Internet gives us more opportunities for
comprehension and understanding
artistic strategies are not identical, rather than the traditional archives and institutions."
Boris Groys /Art critic, media theorist, and philosopher/
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