From the glimpses she caught of Mr Dombey at these times, sitting in the dark distance, looking out towards the infant from among the dark heavy furniture—the house had been inhabited for years by his father, and in many of its appointments was old-fashioned and grim—she began to entertain ideas of him in his solitary state, as if he were a lone prisoner in a cell, or a strange apparition that was not to be accosted or understood. Mr Dombey came to be, in the course of a few days, invested in his own person, to her simple thinking, with all the mystery and gloom of his house. As she walked up and down the glass room, or sat hushing the baby there—which she very often did for hours together, when the dusk was closing in, too—she would sometimes try to pierce the gloom beyond, and make out how he was looking and what he was doing. Sensible that she was plainly to be seen by him, however, she never dared to pry in that direction but very furtively and for a moment at a time. Consequently she made out nothing, and Mr Dombey in his den remained a very shade.
Little Paul Dombey’s foster-mother had led this life herself, and had carried little Paul through it for some weeks; and had returned upstairs one day from a melancholy saunter through the dreary rooms of state (she never went out without Mrs Chick, who called on fine mornings, usually accompanied by Miss Tox, to take her and Baby for an airing—or in other words, to march them gravely up and down the pavement, like a walking funeral); when, as she was sitting in her own room, the door was slowly and quietly opened, and a dark-eyed little girl looked in.
‘It’s Miss Florence come home from her aunt’s, no doubt,’ thought Richards, who had never seen the child before. ‘Hope I see you well, Miss.’
‘Is that my brother?’ asked the child, pointing to the Baby.
‘Yes, my pretty,’ answered Richards. ‘Come and kiss him.’
But the child, instead of advancing, looked her earnestly in the face, and said:
‘What have you done with my Mama?’
‘Lord bless the little creeter!’ cried Richards, ‘what a sad question! I done? Nothing, Miss.’
‘What have they done with my Mama?’ inquired the child, with exactly the same look and manner.
‘I never saw such a melting thing in all my life!’ said Richards, who naturally substituted for this child one of her own, inquiring for herself in like circumstances. ‘Come nearer here, my dear Miss! Don’t be afraid of me.’
‘I am not afraid of you,’ said the child, drawing nearer. ‘But I want to know what they have done with my Mama.’
Her heart swelled so as she stood before the woman, looking into her eyes, that she was fain to press her little hand upon her breast and hold it there. Yet there was a purpose in the child that prevented both her slender figure and her searching gaze from faltering.
‘My darling,’ said Richards, ‘you wear that pretty black frock in remembrance of your Mama.’
‘I can remember my Mama,’ returned the child, with tears springing to her eyes, ‘in any frock.’
‘But people put on black, to remember people when they’re gone.’
‘Where gone?’ asked the child.
‘Come and sit down by me,’ said Richards, ‘and I’ll tell you a story.’
With a quick perception that it was intended to relate to what she had asked, little Florence laid aside the bonnet she had held in her hand until now, and sat down on a stool at the Nurse’s feet, looking up into her face.
‘Once upon a time,’ said Richards, ‘there was a lady—a very good lady, and her little daughter dearly loved her.’
‘A very good lady and her little daughter dearly loved her,’ repeated the child.
‘Who, when God thought it right that it should be so, was taken ill and died.’
The child shuddered.
‘Died, never to be seen again by anyone on earth, and was buried in the ground where the trees grow.’
‘The cold ground?’ said the child, shuddering again.
‘No! The warm ground,’ returned Polly, seizing her advantage, ‘where the ugly little seeds turn into beautiful flowers, and into grass, and corn, and I don’t know what all besides.