Translated Lyric:
I saw you, you gathered daisies from the tablecloth
I know I treated you pretty bad
I don't know if you were an angel or a ruby
Or I just saw you
I saw you, you went out among the people to say "hello"
The stars laughed again, the key of mandala is broken
Or I just saw you
Everything I say is over
The lights always light in the soul
And when I get lost in the city, you already know how to understand
It's just a while no more, I'd have to cry or go out and kill
I saw you, I saw you, I saw you, I was not looking for anyone and I saw you
I saw you, you smoked some Chinese in Madrid
There are things that help you to live
You did nothing but write
And I just saw you
I left, I go, from time to time to somewhere
I know, you don't like this country
You had a dress and a love and I just saw you
Everything I say is over
The lights always light in the soul
And when I get lost in the city
You already know how to understand, it's just a while no more
I would have to cry or go out and kill
I saw you, I saw you, I saw you, I was not looking for anyone and I saw you..
Rodolfo Páez Ávalos, popularly known as Fito Páez (Spanish pronunciation: [ˈfito ˈpaes]; born 13 March 1963), is an Argentine popular rock and roll pianist, lyricist, singer-songwriter and film director.Paez was born in Rosario, Santa Fe Province; his real name is Rodolfo Paez, like his father. When he was a child people called him "Rodolfito" (in Spanish, an affectionate form of "Rodolfo") to distinguish him from his father. With the passage of time, this nickname became just "Fito", and that is where his stage name came from.[1]
He formed Staff, his first band when he was 13. In 1977, he played in El Banquete with Rubén Goldín and Jorge Llonch. He began to perform solo in pubs the following year.
Straight out of high school, he began touring with several bands and soon after that produced his first solo album, Del '63, which was released in 1984. It was promoted first in his home town, but later earned attention in Buenos Aires. The recording was put together with the help of some of Argentina's most prominent musicians, including Daniel Wirtz, Fabián Gallardo, Tweety González and Paul Dourge. The disc won him critical acclaim as a songwriter and helped lead to future projects, including a 1985 album, Giros. The demo of that album earned him the praise of Luis Alberto Spinetta, as well as a partnership - Paez's next album, 1986's La La La was a duet with Spinetta. The duo supported that album with a tour that reached all the way to Santiago, Chile. The same year, he participated in the Thousand Days of Democracy festival.
His 1987 recording, Ciudad de Pobres Corazones, marked a dark, political turn for his work. It was dedicated to the memory of his aunt and grandmother, who were assassinated in Rosario. Páez got his first taste of production work with Ey!, which was released in 1988. Recorded in New York and Havana, it also showcased many musicians with whom he had worked previously.
Wikipedia Quote
► Listen on DSound
► Listen from source (IPFS)