Nostalgia for the past "nostalgia" is a beautiful disease, not limited to a specific generation, but it is passed from one generation to another, nostalgia is a case of vent, says Ayman Osman in one of his tales, the story of Nostalgia Elf.
Ayman Osman, is one of the lovers of heritage and old tales, which began publishing through Facebook, bearing the name of Egyptian heritage, until he decided to publish in his book an Egyptian Heritage Encyclopedia, issued by Don Publishing House, in conjunction with the Cairo International Book Fair 2017.
The book, as shown on the cover of "Rare Stories and Forgotten Tales of Egyptian Heritage", contains 20 heritage stories, not legends, but historical facts recounted in the form of a tale backed by old pictures.
In the story of the cinema of Ota, Osman tells the history of the cinema shows in Egypt from the still images "Box of the World", moving to the first film show in the hall "Zwani" in Alexandria, ascribed their vision of people walking and laughing at the screen to the Jinn and demons Al-Moayad newspaper described the show " , Followed by fantasies in front of viewers and much better than the shadows.
The success of the show encouraged the French Lumiere brothers' mission to move to Cairo. Osman follows the narrative, moving from the Santi hall to the Alexandria galleries and producing Egyptian films that have been transformed from news films to feature films.
The story is accompanied by photographs, one of them for the Egyptian "Rudolf Valentino", a young man Ibrahim Zulfiqar Effendi, Egyptian actor at Condor Film in Alexandria, which was similar to Valentino.
The story goes on with the first presentation of a 1907 speech in Alexandria, the establishment of the Alvizi Studio in 1919, the first of its kind, And continues in the story of cinema, to become a speaker with the presentation of the first film in 1932, "Sons of Thugs".
The book deals with the story of the worlds and the art of pornography in the story of "my lips eat me in your presentation" and talked about the vulgar words and the performance of the flock in a cataclysm composed of a doctrine echoed by the takhtikhit and cobalt of the performer, with a presentation of "Coblihat" of the art of the worlds, What I know, Dana was so small. "
It also presents a story about the poet Muhammad Yunus al-Qadi, who wrote poetic and vulgar poetry, and when he became a radio announcer in 1928 prevented his songs from broadcasting.
These songs were distributed by Al-Khawaja, "Leto Barouche Masouda", the agent of Edion Records Company, and the director of the Egyptian Company for Acting and Cinema.
In the story of "100 Years of Crime," a story about the use of the press for the crimes of thugs, in order to increase sales, raising the slogan read the incident.
The book tells the story of Hamido Al-Faris, who was famous for his skull, which was imposed on his opponent in one fell swoop, and the story of Upper Egypt Mohammed Mansour, who was swept away by revenge to kill seventy members of one family.
It also tells about the coverage of Al-Akhbar in 1960 by the story of the thief Mahmoud Amin Suleiman, who was inspired by Naguib Mahfouz's story in "The Thief and the Dogs" and the resulting nationalization of the Egyptian press due to two titles between them.