What Strunk and White are saying is that on every occasion you inform the reader some thing that would had been defined in the prose, you're yanking them out of the narrative, however in short (and yes, it’s k for me to use an adverb, due to the fact this is reportage, no longer narrative).
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It’s as in case you were watching a film, and the characters’ expressions never change, however with every movement they take, a voiceover booms, “She’s curious,” “He’s indignant” and so on.
In real existence, you see a person’s mannerisms and facial expressions, listen the tone of their voice, and exercise session that they look unhappy or scared. Nobody tells you this.
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Using adverbs all over the place, as opposed to describing what the man or woman sees, hears, smells or touches, ruins the filmic feeling of a terrific e book.
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One of the nicest compliments I’ve ever had from a reader become, “When I read one among your memories, it appears like I’m looking a film. I don’t recognise why.”
I do know. It’s because I ruthlessly try and purge every unmarried phrase that doesn’t help to tell the tale. Even speech tags.
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Contrast, “Jenny said quizzically, ‘I don’t realize’” and “Jenny shrugged and pursed her lips. ‘I don’t realize’”
Personally, I think the second is higher, greater like actual existence. You see the mannerisms and exercise session that Jenny is quizzical.