REVIEW

Starting his story like Guess Who's Coming to Dinner, Get Out just provides an unexpected twist when his plot is slowly converted into a blood-drenched slasher at the end of his narrative. In his first directing, Peele previously known as a comedian actor managed to present an unexpected and memorable treat. With his own manuscript, Peele probably elaborated many elements of Stepford Wives, Skeleton Key, and then packed them in sadistic films like Last House on the Left to new waves torture porn movies from French cinema. These elements are familiar to film-watchers, and Peele can joyfully use the themes, styles and patterns of the films said in this debut film with mature and entertaining. But one thing that makes it different outside of the many inspirations Peele uses is the liberal theme of racism. Reversing the ideology that often rolled white superiority to blacks, here racism comes in the form of a white inferiority that admires and wants to seize the physical to the consciousness of African American characters. That blacks are not a lowly species but a new target that can be invaded by the soul and body. Ah, it's hard to unravel Peele's genius who plays allegory without giving her a big movie spoiler. But essentially, Peele plays the outdated perception of racism in America by turning it over and putting it in this Get Out without being forced and running logically, even arguably brilliant. 

The main role burden given to the British actor, Kaluuya whose name is not well known is the right decision. Kaluuya can present his character so vividly, convincingly and sympathetically. Being from the line of supporting cast, Williams initially seemed to repeat the role of her Girls series. It was hard not to see Marnie at Rose's character, but as her plot began to grow, Rose was not Marnie, and Williams managed to look different. While Keener, Caleb Landry Jones and Whitford enough to give a perfect picture of abnormal families are threatening. But in the middle of the satirical theme to the tension of the film, the comedic display of Lil Rel Howery as a buddy Chris, Rod who was a big mouthed quite a lot of tension film and so refreshing to be seen. 

Drawing many themes from a variety of movies and genres, Peele proved that a new idea could emerge and invisible plagiarized from its source of inspiration. Giving the lives of racism issues that blend in nicely, Get Out is a smart dish from Peele that could be going to be remembered for years to come as a classic movie.

RATING (8/10)

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