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I can't deny that the original film is excellent, but I find this live-action version infinitely better.
The changes to the script made by Chris Kekaniokalani Bright and Mike Van Waes have given the story a very positive twist, adding greater depth and coherence to both the characters and certain parts of the story that were previously barely hinted at.
The new version manages to be more emotional, human, and closer to the magical feel of E.T. (1982), which I loved.
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Stitch was fantastic in the animated version, but I find this new CGI design even better. At least in my opinion, it's been a great success.
The film works perfectly thanks to the impressive talent of Maia Kealoha; her performance is outstanding considering her young age.
On the other hand, Sydney Agudong as Nani is impeccable: in addition to being beautiful, she demonstrates great acting ability.
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The chemistry between Agudong and Kealoha is undeniable and conveys a sense of authentic connection that makes the scenes between them a real pleasure.
The supporting cast also stands out. Zach Galifianakis plays Dr. Jumba Jookiba, Stitch's creator and the villain in this new narrative. Billy Magnussen brings his talent to life as Agent Pleakley.
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Courtney B. Vance takes over from Ving Rhames as Cobra Bubbles, who is now exclusively a CIA agent and no longer a social worker; attempts were made to secure Rhames for a cameo appearance, but scheduling conflicts prevented this.
Amy Hill plays a caring neighbor who looks after Lilo and Nani, while Kaipo Dudoit plays David, Nani's love interest. Tia Carrere, who voiced Nani in the original animated film, takes on the role of Mrs. Kekoa, a social worker.
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Dean Fleischer-Camp skillfully directs this live-action reimagining after making a name for himself with Marcel the Shell with Shoes On in 2021. Thanks to this work, he has gained international recognition, and I hope he will have more opportunities to demonstrate his talent as a director beyond bringing large projects to fruition.
The original score, composed by Dan Romer, is beautiful and perfectly accompanies the narrative.
The cinematography by Nigel Bluck deserves applause for capturing the Hawaiian landscapes so masterfully. The result is a dazzling visual work that becomes a gift for the senses. Without a doubt, one of the most memorable aspects of the film.