Today we are with these famous women who were created in the 16th century carved in wood and found in different churches.
The first thing that caught my attention were their perfect faces without a scratch and sculpted with great skill.
Hoy estamos con estas famosas mujeres que fueron creadas en el sigloXVI esculpidas en madera y que se encontraron en diferentes iglesias.
Lo primero que me llamo de ellas la atención eran sus caras perfectas sin un rasguño y esculpidas con gran maestría.
How many hours dedicated to beauty to perfection.
Or was it the artist's hand that idolized virgins?
I only know that this post is taking me a long time to develop and looking at the photos I have observed that those faces are not so perfect virgins, that their eyes speak.
So I started to look at them
Cuantas horas dedicadas a la belleza a la perfección.
¿O fue la mano del artista que idolatro a las vírgenes?
Solo sé que esta entrada me está costando mucho desarrollarla y mirando mirando las fotos he observado que esas caras no son vírgenes tan perfectas, que sus ojos hablan.
Así que me he puesto a mirarlas
Her hair covered by rich fabrics but hidden, her precious lips curved in the direction of sorrow.
Su pelo cubierto por ricas telas pero escondido, sus preciosos labios curvados en la dirección de la pena.
Now look at his eyes
The virgin on the right seems happy, good and cheerful.
The one on her left, her look is that of an envious person, or? she simply tells her hair: braided tied without leaving it free between ribbons and knots, oppressed by silk.
Maybe she sits like that and hence her look.
La de la izquierda su mirada es de una persona envidiosa ¿o? simplemente el pelo lo cuenta: trenzado amarrado sin dejarle libre entre cintas y nudos, oprimido por la seda.
Igual ella se sienta así y de ahí su mirada.
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