Our memory is formed by everything that contains our qualities and expresses our true identities in addition to what we aspire to in terms of aspirations and strive to achieve them with all our will. The imagination of the individual among us is about his absolute reality and his essential qualities, but what may happen when our forgotten memories emerge in all their paths again and change our perspective on the whole things and our motives change towards other goals that may turn our lives upside down and have dire consequences that carry nothing but danger in the raging sides of what may be interpreted Us to destinies that capture our souls without mercy or pity?
Those ideas were the main driver of the story perspective adopted by director "Andy Mochette" in the second part of "IT", and the focus of the screenplay written by "Gary Doberman" on that perspective may work here at times in his favor, as he reminds us through several flashes A series that what was luminous and the most prominent factor in the uniqueness of the previous part is the strong and attractive harmony between its cast members who have not yet reached the age of adulthood and presented us with magical moments in a work that belongs to the category of horror.
While "Dobermann" draws a clear line, starting from the embodiment of the extent of suffering that the "Losers" club members experienced when they were young, to the extent of the cry of those memories and their deep dragging that did not heal until now. To return to "Derry" again and to end the battle they started long ago at the invitation of their friend "Mike" - the only member of the team remaining in his hometown until he finally became the city librarian who spent his life in suspicious passion and deepening further in one of them. The oddity of the universe that carried with it many secrets hidden in the records of history.
But each one of them has his memories and his tumultuous life that was not without awe of the past tampering with their imaginations, besieging their present and obstructing their future and occupying a large part of their thinking, so can they return again to turn the tables on their personal concerns and end the battle they started long ago in which they fought their demon that spread terror in Their souls and were able to return his efforts earlier after a long effort?
Three hours, ten minutes, through them, “Andy Mochette” pours us again in the world of “Derry” whose corners were shook again with the return of the clown “Pennywise” in fulfillment of the prophecy that indicates his appearance every 27 years to stir terror and spread chaos with all his strength and ability to change his appearance whenever He smells the scent of fear that children feel and becomes embodied in their worst nightmares, and then they become the mouthfuls of his predatory fangs. Therefore, the members of the "Losers" club must return again, based on the pledge they made upon themselves by standing up to "Pennywise" and returning all his endeavors once and forever despite The excess of the tragic memories of their childhoods and their profound effect on their present.
But that part contradicted expectations in several elements that may not have concluded the duality in a satisfactory manner despite the overwhelming passion that Andy Mosheti had to quote many and many of the most prominent things in the original novel so that he could go down to the desire of the supporters and lovers of the fictional text that was invented by someone The most famous horror book in history, “Stephen King,” but he was not lucky enough to give the experience its script of integration devoid of any flaws, similar to its predecessor, which was resonant with many people and was unrivaled in critical and public popularity
Given the duration of the film that exceeded the two and a half hours, it was possible to overlook nearly half an hour of scenes that are not important to the recipient, and that stems from the intensity of the "flashback" that "Mushiti" relied on profusely for purely narrative purposes, but he may have been afraid From our loss of the most prominent points of the previous part and more than their presence in the context of the events, while this could have been compensated for by a suitable presentation of the adult members of the "Losers" team and strengthening their resonance with the phenomena surrounding them instead of being secondary roles, clearing the way for their miniature copies again to have the same effect of the part. The previous one, in addition to delving deeper into the background of the history laid by "Dobermann" within the pages of the script, from the historical background of the character "Pennywise", which came superficially devoid of what increases the conviction of those details and the absorption of its content with complete satisfaction.
Therefore, there was a complete intentionality to mention the word “sometimes” in the third paragraph as a real confirmation of the ineffectiveness of the approach taken by “Mosheti” and “Dobermann” in over-relying on the atmosphere of the first part and drawing it to fill in the gaps in the core of the story to be told, as this wasted an opportunity Great to the prominence of the adult "Losers" and our sympathy as viewers are for the horror they face in order to get rid of the evils of "Pennywise" for good.
Not only that, but the film’s defect and Joe is clearly defective in its rhythm and the absence of a smooth movement between the past and the present at a regular pace in addition to the haste in most of the scenes that are supposed to be central in form and content. The movie, which is submerged in the sea of "flashback", arriving at the last turn, which witnesses the confrontation of the decisiveness that carried a lot and a lot of the scene diet and thrills that reach horror to the highest levels of madness that excels in that particular part from the previous part, which is contrary to "chapter 2" in being free from verbosity It has a steady and unfragmented evidence that escalates its events without prejudice to its main characters or limiting their appearance in favor of what might tamper with its pace or fill it with a range of excessive details.
On the positive side, however, “It chapter 2” enjoys plenty of fearful and tense horror sequences that depend mostly on the style of “jump scares” and mostly follow the practical or factual method of frightening the audience, even though some of them rely on techniques The CGI, which resulted in several computer-generated shots, was cartoonish in shape, but it also contributed to erasing the effects of the negatives relatively, especially what happened in the ending sequence that combined the two components of madness and excitement mixed with each other in order to come out with a good ending that is sharper than the one that went to it. Previous part.
The film also witnesses a clear harmony between the adult members of the "Losers", which suggests a huge flood of feelings for each other and friendship that will not be erased by time despite their personal suffering and their own struggles with themselves, a sign of psychological and moral turmoil whenever the past approaches the doors of their lives again floats on the surface of their aspirations And their desires, the best of them was "Bill Hader", known for his comedic identity and high sense of humor, who starred in the role of "Ritchie" and extracted some of the audience's laughter in the movie theater, and he surprised everyone that he was able to appear in the film's dramatic moments, unlike his usual, which indicates that he deservedly deservedly. All the compliments, which were not without any praise for his performance of all aspects of the personality as required.
This does not diminish the efforts of the rest, led by the duo "James McAvoy" and the beautiful "Jessica Chastain", who shone as much as they could under the shades of a few of the moments that the film gave them and are relatively deeper with the horrors that follow them compared to their families, and perhaps it was possible to attach to them more than necessary. But "Mosheti" and "Dobermann" as well as taking another approach (which was mentioned earlier) rather than giving them more opportunities to prove their presence just like their miniature versions, but they deserve appreciation in light of the creative spaces available to them in order to impose themselves on the grindstones and obtain any praise. Similar to the one that I seized from the heroes of the previous season.
E. beautiful, perhaps enhance the bilateral "IT" -_khasossa in the first part-important need to confront fear and overcome the social message illusion whatever its source , even if the memory of a painful inherited individual for years until it became a source of disturbed permanent obsession which Ejor nice, but perhaps forget some From us that message, especially with the failure of the second part of all the aspirations that followed its announcement after the overwhelming success achieved by the first part and its falling into the trap of negatives that may destroy its chances of achieving its goals in obtaining the praise of its predecessor and entering the list of the best horror films in recent times.
