There’s an irresistible quality to period dramas, especially the ones set in old colonial times, that always pulls me in. Funny how after a long day, I chose to watch this film, expecting it to bore me to sleep but I ended up not blinking till the credits rolled. Before I say anything more, who on God’s green earth approved this ridiculous title for this film?
Synopsis
Set in 1930s British colonial Sarawak, the film follows Truscott (Hugh Dancy), a young English officer sent to govern a remote Iban community. Idealistic and determined to do things differently, he’s introduced to the local practice of being assigned a sleeping dictionary, a native woman who lives with colonial officers to teach them the language and customs, often through intimacy. That’s how he meets Selima (Jessica Alba). Therefore, what begins as an arrangement meant to help him adapt slowly evolves into something something neither of them fully planned for.
But in a world built on hierarchy, race, and control, their relationship is defined as dangerous. As feelings grow, so do the consequences, especially when John’s duty to the British Empire clashes with his connection to Selima and the community he’s meant to rule.
My Thoughts and Rating
John and Selima’s relationship is complicated. There’s tenderness there and genuinity where they’re not just playing roles assigned to them by society. But at the same time, you can’t ignore the imbalance. Because if we’re being objective, this is a relationship that begins with power already skewed. He’s the colonizer and she’s part of the colonized community. Even when he tries to be different, that structure doesn’t just disappear.
So while I found their connection emotional at times, there was always this underlying discomfort like something wasn’t entirely right, no matter how soft the moments seemed.
Now onto the bigger picture.
What I appreciated the most here is how the film doesn’t completely romanticize everything.
It shows clearly, the tension between cultures, the impact of colonial rule and the way people, especially women like Selima, are used as tools within that system. The idea of a sleeping dictionary itself is already loaded. It’s not just about language, but access, control, and the way intimacy can be turned into something transactional.
Selima is honestly the heart of this film. There’s a strength about her even in situations where she has very little control. You can feel her emotions even when she’s not saying much and that’s what made her character so compelling to me. But at the same time, I couldn’t help but feel frustrated for her. The circumstances she’s placed in, the choices she’s forced to make were too heavy.
Now, not to be a party popper but this film leans into romance in a way that softens the harsh realities it introduces. I genuinely felt like it could have gone deeper into the political and cultural tension instead of circling back to the love story. Because honestly, that aspect of the film was just as, if not more, interesting.
Finally, this is a film that is beautiful to look at, emotional in parts but also quite unsettling.
Rating: 7.5/10
I recommend it for viewers interested in stories about colonial history and cultural tension.
Oh and it’s got lovely scenery. They don’t make films like that, with such lush vegetation and greenery, these days.