The Mysterious Egg: Abundance Year Episode 1919

Full Metal Ox Day 1854
Saturday 28, March 2026
Abundance Year Episode 1919
Noxsoma Life Camp:

Sabado grande mi gente. Welcome to one more day above ground.

Have you seen this video? There are two ladies selling eggs. Let’s call them Gerta & Dawn. Gerta is selling her eggs for $5 a dozen. She notices that Dawn’s eggs are $4 a dozen. Gerta drops the price of her eggs by a dollar. A price-war ensues, until Gerta has reduced her eggs to $1 a dozen. Dawn buys all of Gerta’s eggs, and then starts selling her stock for $4, a half dozen. Dawn has all the eggs and can set her price according to what the market will bear.

This is why John D Rockefeller declared competition a “sin.”

The video was meant to be a lesson in economics. Simplified.

We have an epic audio for you today. It’s longer than the daily video. Speaking of wabbit holes, we started this journey wondering how Humpty Dumpty became an egg. We have done both audio & video on the egg topic. But then we started thinking about how many times eggs show up in fables & fairy tales. As you know, it is our opinion that such stories originate before writing was common amongst humans. Certain themes, numbers and symbols repeat across millennia. The egg is one of them. It seems that the egg was “flattened” out into a circle, and the term, “egg-shaped,” was replaced by “ellipse,” thus obscuring the significance of the egg as a teaching tool. It’s not until one starts exploring the precession of the Equinoxes that Earth becomes, “more of an egg-shape.” Still 360 degrees, and still accommodating. Accommodating to what?

What we found was nothing short of mind-blowing.

There are no egg stories or references found in antediluvian chronicles. At least none that we could find. Why is this? The answers, or at least the “theory,” is laid out in Seven Acts in today’s audio companion.

Stay safe, stay strong, stay sane, stay savvy, stay serene, stay sovereign, stay subscribed.

PEACE.

The Mysterious Egg
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Building the future podcast from scratch. The plan thus far.

Today's Episode: https://odysee.com/@Noxsoma:2/1854_full_3-28-26_1919_humpty:6?r=47k2ScJsm9Uex9eETqgCCA8q1fukdST9

The Mysterious Sacred Egg.

A Journey Through Geometry, Time, and the Memory of Worlds

Imagine, if you will, a circle. Perfect. Abstract. Eternal. Now, imagine that circle pressed gently from above, bulging slightly at its equator, tapering toward its poles. What you now hold in your mind is not a circle but an ellipse. An egg. And in that simple distortion, that imperfection, lies the secret of how the universe measures time, how civilizations remember their origins, and perhaps how the survivors of a worldending cataclysm taught themselves to live again.

We are about to embark on a journey. A journey not through space, but through time and symbol. We will trace a single shape, the egg, across millennia, from the primordial waters of creation myths to the mathematics of the circle, from the clay tablets of Sumer to the luminous cocoon of the shaman’s vision. We will ask a heretical question: what if the sacred egg was not merely a myth, but a technology? What if it was a teaching tool, a mnemonic device, a mathematical equation encoded in the most humble and yet most miraculous of forms?

What if, after the flood, the egg was the vessel that carried civilization itself?

Act I: The Shape of Time

Let us begin with a fact so familiar we have stopped seeing it. A circle has 360 degrees. Why 360? Why not 100, or 1,000? The answer, like so much in the history of science, is that someone, somewhere, in the deep antiquity of Mesopotamia, noticed that 360 is a number of extraordinary hospitality. It is divisible by 24 numbers… 1, 2, 3, 4, 5, 6, 8, 9, 10, 12, 15, 18, 20, 24, 30, 36, 40, 45, 60, 72, 90, 120, 180, and 360 itself. No other number under 360 is so accommodating. It is, in the truest sense, a number made for fraction, for trade, for astronomy, for architecture. It is a number that says: the universe is knowable.

Now, consider that the Earth rotates once on its axis in approximately 24 hours. Twentyfour. The same as the number of divisors of 360. Each hour, then, represents 15 degrees of the Earth’s turning. The circle of the sky, divided into 360 degrees, maps directly onto the circle of time, divided into 24 hours. This is not a coincidence that any culture capable of observing the stars would have missed. It is a discovery, not an invention.

But here is where the egg enters the story. The Earth is not a sphere. It is an oblate spheroid, an ellipse rotated around its minor axis. An egg shape. The path the Earth takes around the Sun is not a circle; it is an ellipse. The heavens themselves, when we map them onto the zodiac, form a circle, a projection, but the reality beneath is ovoid, elliptical, egglike. The perfect circle is an abstraction, a dream of pure geometry. The egg is the reality.

So when we find ancient cultures describing the cosmos as an egg, they are not merely being poetic. They are encoding an observation: the universe, at its largest scales, is not perfect. It is almost perfect. It is a circle pressed into an ellipse, a sphere nudged into an ovoid, a perfection slightly flawed in the way that all living things are flawed. An egg is not a mathematical ideal. An egg is something that hatches.

Act II: The Silence Before the Flood

Let us travel backward now. Further back than the pyramids, further back than the first cities. Let us go to Mesopotamia, the land between the rivers, where the oldest written stories of our species were pressed into clay.

In the Enuma Elish, the Babylonian creation epic, the universe is not born. It is forged. It is hewn from the corpse of a slain goddess. The primordial mother, Tiamat, is split in two by the god Marduk. Her ribs become the vault of heaven. Her blood becomes the mountains. There is no egg here. There is no incubation. There is violence, dismemberment, and the imposition of order upon chaos by force.

In the Epic of Gilgamesh, humanity’s oldest surviving literary work, there is no cosmic egg. There is a flood, a cataclysm sent by the gods to wipe out humanity. One man, Utnapishtim, builds a boat and preserves the seed of life. But when the waters recede, when the world is born again, there is no egg. There is only survival, and the bitter taste of mortality.

The Sumerian tablets, the Akkadian fragments, the Assyrian libraries, they contain everything: hymns, laws, omens, recipes. They contain the flood. They contain the creation of humanity from clay. But they do not contain the egg.

Why?

Perhaps because the egg is not a symbol for a world that was destroyed. The egg is a symbol for a world that was saved.

Act III: The Egg After the Waters

And then, after the flood, or after the memory of the flood, the egg appears. Not in one culture, but in many. Not in one millennium, but across thousands of years and thousands of miles. It appears as if from nowhere, or as if from somewhere very specific, carried by survivors who had seen the old world end and were determined to teach the new world how to begin.

In Egypt, at Hermopolis, the creation myth speaks of a cosmic egg laid upon the primordial mound. From that egg emerged Ra, the sun, who brought light to the darkness. The egg was not shattered in violence; it was hatched. The world was not a corpse; it was a birth.

In India, the Rig Veda sings of the Hiranyagarbha, the golden womb, the golden egg, that floated on the cosmic waters before splitting into heaven and earth. Within it was Brahma, the creator, who emerged not through conquest but through emergence.

In Greece, the Orphic tradition whispered of a silver egg, encircled by a serpent, from which burst Phanes, the firstborn, the luminous one, who carried within himself the seeds of all that would ever be.

In China, the giant Pangu slept for eighteen thousand years inside a cosmic egg, growing, maturing, until he broke the shell and became the world itself.

In Finland, the goddess Ilmatar floated on the primordial sea, and a duck laid six golden eggs upon her knee. When the eggs shattered, their fragments became the earth, the sky, the sun, the moon, the stars.

These stories are separated by oceans, by languages, by millennia. And yet they speak with one voice: the world is an egg. It was incubated. It was hatched. It was born, not built.

Is it possible that these cultures, independently, all arrived at the same metaphor? Or is it possible that they were all drawing from a common source, a body of knowledge, a pedagogical tradition, a curriculum, that was disseminated after a catastrophe so great that it required the survivors to rebuild not only their cities but their very understanding of time, of geometry, of the cosmos?

Act IV: The Egg as Mnemonic

Let us consider the egg as an object of instruction. It is small enough to hold, common enough to find, and yet within its simplicity it contains layers upon layers of meaning.

The shell: a boundary between order and chaos. It protects. It defines. It can break.
The membrane: a second barrier, thin but resilient.
The white: the waters between heaven and earth, the firmament, the atmosphere.
The yolk: the earth itself, dense, lifegiving, suspended at the center.
The shape: an ellipse, whose geometry maps onto the path of the sun, the form of the earth, the orbit of the moon.
The number: 360 degrees of the circle, 24 divisors of the circle, 24 hours of the day, 360 days of the year (plus a correction, because the universe is not perfect, because even an egg requires adjustment).

If you were a survivor of a worldending flood, if you had lost your libraries, your temples, your kings, your priests, if all you had was memory and the will to rebuild, what would you teach your children? How would you teach them geometry without a blackboard? Astronomy without an observatory? Timekeeping without a clock?

You would teach them the egg.

You would hold an egg in your hand, and you would say: This is the shape of the world. This is the shape of the sky’s path. This is the shape of time. Learn its angles. Learn its divisions. Learn its seasons. Within this shell is everything you need to know to rebuild civilization.

The egg, in this light, is not a myth. It is a survival manual.

Act V: The Luminous Egg

But the egg is not only the cosmos. It is also the self.

In the 20th century, the anthropologist Carlos Castaneda, writing under the tutelage of the Yaqui shaman don Juan Matus, described the human being not as a solid body but as a luminous egg. He wrote that seers perceive humans as spheres of energy, ovoid cocoons of light, within which an “assemblage point” determines how reality is perceived.

It is a stunning inversion of the ancient tradition. For millennia, the egg was the container of the universe. Now, Castaneda tells us, the egg is the container of the self. We do not live in the cosmic egg. We are the cosmic egg.

And yet, the geometry remains. The egg is still 360 degrees. It is still an ellipse. It is still a boundary between the known and the unknown. It is still a protective shell around a luminous center. Whether we are speaking of the birth of the universe or the nature of consciousness, the egg persists.

Why?

Perhaps because the same cataclysm that destroyed the old world also fractured the old understanding of the self. Perhaps the survivors needed not only to rebuild their cities but to rebuild their souls. And the egg, the same shape that taught them the geometry of the heavens, taught them also the geometry of their own being: bounded, luminous, capable of hatching into something new.

Act VI: A Hypothesis

Let us now state clearly what we have been circling.

The sacred egg motif is absent from the antediluvian records of Mesopotamia. It appears with striking ubiquity in the postflood traditions of Egypt, India, Greece, China, and the Nordic world. Its shape encodes precise mathematical knowledge, the 360degree circle, the 24 divisors, the 24hour day, that would have been essential for rebuilding a civilization after catastrophe.

This is not a claim of proof. It is a hypothesis. But it is a hypothesis that explains otherwise puzzling convergences.

Why would cultures separated by thousands of miles and centuries all describe the cosmos as an egg? Not because they all looked at a chicken egg and had the same poetic impulse. Because they all inherited the same pedagogical tradition, a tradition developed by survivors of a cataclysm who encoded their knowledge in the most portable, most memorable, most universal object available to them.

The egg is not just a symbol. It is a mnemonic device. It is a mnemonic device for:
Geometry (the circle, the ellipse, the 360 degrees)
Astronomy (the shape of the Earth, the path of the Sun)
Timekeeping (24 hours, 360 days)
Cosmology (order from chaos, incubation not violence)
Theology (rebirth after destruction)
Psychology (the self as luminous, bounded, capable of transformation)

One shape. One object. Six thousand years of human civilization, perhaps more, encoded in the humble egg.

Act VII: A Reflection
We will never know with certainty whether the survivors of some ancient flood, whether the one described in Gilgamesh, or the one that ended the last Ice Age, or some catastrophe lost to all memory, sat together in the first years of the new world and said: We must teach them. We must teach them everything we know. But we cannot build temples yet. We cannot write books. We have only our hands, our voices, and the world around us. What shall we use?
And perhaps one of them, wiser than the rest, picked up an egg and held it to the light.

Perhaps they said: This is the shape of the Earth. This is the shape of the Sun’s path. This is the number of its degrees. This is the number of its divisions. This is the number of hours in a day, the number of days in a year, the number of seasons that must be measured if we are to plant and harvest and survive. Remember this. Teach this. When you forget everything else, remember the egg.

If that moment happened, if it happened once, in a single place, at a single time, then the cosmic egg myths of the world are not separate creations. They are echoes. They are the surviving fragments of a single, desperate, magnificent act of preservation: the attempt to save civilization by encoding it in a shape so simple that no flood could wash it away, so profound that no empire could suppress it, so sacred that no generation would dare forget it.

We are still remembering. Every time we look at a circle, every time we divide an hour, every time we mark the turning of the year, we are touching the rim of that ancient egg. We are holding it in our hands. We are wondering, as our ancestors wondered, what will hatch next.

Epilogue: The Shape of What Comes Next

The egg is not only a symbol of the past. It is a symbol of the future. Every egg contains a threshold. What is inside is not yet what it will become. The shell is not a prison; it is a place of becoming.

We stand, perhaps, at another threshold. Our civilization, like so many before it, faces cataclysm. The climate shifts. The old orders crumble. The waters rise. And somewhere, perhaps, there are survivors already thinking about what they will teach the next world. What shape will they use to encode their knowledge? What object will they hold up and say: Remember this. This is everything?

Perhaps they will hold up an egg. Perhaps, after all these millennia, we have not yet outgrown the oldest lesson.

The egg is the shape of the world.
The egg is the shape of time.
The egg is the shape of the self.
The egg is the shape of hope.

And when everything else is lost, the egg remains.
For those who remember, and for those who will come after. Namaste.
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