Jam el Mar war immer eher im Hintergrund - aber ein Mega DJ, Mark Spoon war bekannt und oft line-up bei den grossen Events, aber Jam war eine Art Mastermind hinter dem Projekt - auch bei Dance2Trance - ich hab sie oft auflegen sehen dürfen - und RIP Mark Spoon - traurig, dass die besten von uns gegangen sind viel zu früh, wie auch Torsten Fenslau
Who is Jam el Mar?
Well - he was the second part of Jam&Spoon and creator of most ehind the project, also within the Dance2Trance project he created wirth DJ Dag-
He was not seen that often in public but he got the talent - he is now keep alive the memories around Mark Spoon:
In the early nineties, as rave music exploded and started to dominate the international charts, many acts made music that became instantly forgettable, however one act has stood the test of time and contributed greatly to the electronic music scene, producing many an anthem, and DJing some of the biggest electronic music gigs worldwide. That act is Jam El Mar!
Jam El Mar has been at the forefront of electronic music. One half of the renowned duo ‘Jam & Spoon’, which had a pioneering influence on the trance and techno music that dominated clubs at the same time, Jam has since recorded under a multitude of well-known aliases such as Storm, Tokyo Ghetto Pussy and Dance 2 Trance to name but a few.
The worldwide success of these aliases led to Jam receiving golden and platinum awards, and the DJ gigs followed. Jam often featured at the Love Parade, and when his production partner Mark Spoon passed away in 2006, he continued playing to honour and remember him.
Jam project in a nutshell
Of course main area was Jam&Spoon - check the awesome sounds in the following - he also did the sounds behind Dance2Trance - not bothering you with them again as I wrote about DJ Dag and the story recently.
*Starting though with probably the best remix in TEchno / Trance ever created:
Anyone seen them perform? Hope you like that - and again tagging the only guys that might have seen them :-) - share your thoughts if possible 
