Ornamentation in the classical period inherited much from its predecessor. In those times it was not customary to write down all the notes to be ornamented because it was considered that the performer's job was to know where and how to ornament the melodies. Mozart's case is no different, we could listen to a single piece played by 10 different flutists, and they will be 10 different versions. It's not about looking for who is right, I like to believe that all versions are equally beautiful in their own way.
In this class I am teaching one of my students how to deal with trills in Mozart and how to phrase these beautiful melodies.
Hello there, my name is Miguel, I'm a professional flutist certified with a Diploma from the Venezuelan Simon Bolivar Conservatory, currently working there as an associate professor besides teaching online to students age 7+ from all around the world 🌍, I also have a home studio where I work as a session musician, producer and composer for aspiring artists. If you like my content don't forget to subscribe to my channel so you don't miss out!
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