Greetings to all the artist and Nazanin's friends in the Photography Lovers Association
I hope you are great now and your moments are full of light, color and creativity.
Each frame has a story that is narrated by the heart ...
Today I also came to you with a very exciting portrait photography session.
Today I share one of my beautiful models called Nasrin.
Nasrin has a very attractive and special face and is a professional and well -known maker of our city.
We have been working together in a few sessions and carrying out a variety of photography projects.
I am very glad to have the opportunity to be able to create a combination of art and photography.
Wait for the next photos, because it's going to be a whole creative work.
I told Nasrin to rotate a little, not completely face the camera. Because when the face angle of a bit of a bike, such as a mild three or mild springs, the face becomes more handsome, and the photo looks more natural and professional. This small rotation makes the jaw, cheek, and even light angle on the face look more beautiful.
It gives the photo a special sense and personality. In short, this is a simple trick, but it makes a lot of difference in portrait photo mood.
Here too, I tried a smile and non -smile mode to see how it affects the facial muscles and the look of Nasrin.
Or, for example, in this photo I told Nasrin a hand to the scarf, that one hand in my hand, his face is a little bit of a camera, nor completely the profile; Something between the two, whose face shape is more beautiful.
His look was directly on the camera, which made the photo find a sense of self -esteem and a direct relationship with the viewer. If he kept the face of the face, but his gaze would be a little away (for example, to a hypothetical point outside the frame), the photo would have become more imaginative or calm.
In every frame, I am looking for a look to shout. They look at them, I just record them.
In the following, I decided to use a black background, because this type of background is one of the most powerful tools to focus on the subject. When the backdrop is completely dark, there is nothing extra in the frame to distract, and this makes the details of the face, the texture of the skin, the eyes of the eyes and even the fine light reflections.
In this combination, lighting also plays a key role. The use of soft, guided light has helped light the face without annoying shades, while still maintaining its natural volume and form. In fact, the light and the shadow play together to look at the subject.
Adding a hat was a clever image element; Because not only deepened the composition, it has also brought a sense of personality and style. When the subject has the edges of the hat with his hands, it becomes part of the photo frame.
In the course of photography, I asked Nasrin with a gentle rotation to put his whole body almost back to the camera. This gesture made the shape of the shoulders and the curvature of the body look more natural and softer. After that, with a calculated rotation of the head in the direction you see in the picture, the body and face composition becomes more pleasant.
When the body is back to the camera but returns the face, there is a visual contrast: it is as if the subject is going, but still with it.
In this gesture, the eyes are also in a position where a soft but penetrating look; Not completely face, nor indifferent. It is as if the subject has felt something, but it has not yet stated.
The general figure, with the help of light and black background, is well separated from the background, and that lighting line on the cheek and edge of the nose, making the face shape clear and alive.
I hope you enjoyed my taste, views and lighting in portrait and figure photography. For me, hearing the comments and ideas of each of you dear artists is very valuable and inspiring. I am eager to experience your different and creative look at future meetings.
I love you very much and I wish you all the hearts and nights of peace and success.
Until again in another photography session ...
Goodbye.