One thing is certain, even to the most distant observer: the sight of the landscape you have captured in your photographs is truly an inspiration for peak performance.
This is where the idea of letting these impressions flow into lines and preserving them in two book covers comes from. The only question is whether the writer's attraction is to mysticism, or is it to vision and fiction?
Both of them seem to me to be equally exciting, as are the effects and impressions of your photographic documents.