Cal Lynch travels back in time to 15th-century Spain through a revolutionary technology that unlocks the genetic memories contained in his DNA. There, he lives out the experiences of Aguilar de Nerha, a distant relative who's also a member of the Assassins, a secret society that fights to protect free will from the power-hungry Templar Order. Transformed by the past, Cal begins to gain the knowledge and physical skills necessary to battle the oppressive organization in the present.
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Assassin's Creed" is a movie based on a game franchise where you jump around in period dress (the setting depends on which game you're playing) climb buildings and murder people. Unlike the actual video game, "Assassin's Creed" isn't ridiculous and fun, but rather ridiculous and turgid. This is the fundamental disconnect that most video games (except maybe "Mortal Kombat," "Super Mario Brothers: The Movie" and "Street Fighter") run into: there's no way to translate the hands-on action of a video game to the silver screen, so many video game adaptations either have no plot, or get bogged down in blase set-up.
Still, why is there so much pensive info-dump talk-talk-talk in "Assassin's Creed" about the modern-day Knights Templar, and their quest to eradicate global violence using an elaborate virtual reality work program—and yet nothing beyond the basic premise makes sense? Who choreographed these dull, repetitive fight scenes? And why are supporting cast members like Jeremy Irons and Charlotte Rampling skulking listlessly in the corner while poor Michael K. Williams eagerly awaits a good line or two? (He never gets one.) If anybody had a spark of inspiration when they made "Assassin's Creed," it certainly doesn't show.