Thank you for taking the time to reply Dave. As far as I can see there’s only one bully, which is the one attacking people personally in a blog, with no evidence whatsoever, or making fun of them in his comfy little Discord group. Just a quick scan over the little fantasies you made up this time:
- I never denied I used ads last year as well. I said I was running them CONTINUOUSLY since (end of) last year, which is a big difference. Also, don’t think you were the first dodgy artist on the platform I wanted to keep up with, there have been plenty before you started your scheme.
- I never ran ads for Choon. I run ads for exposure. Which works pretty well. The benefit is that Choon profits from it as well, as it brings in listeners too. But that was never why I ran them.
- Clickbait only works if you are after just clicks. I was after plays. Which is why I advertised a playlist, not a track. If the music in the playlist would’ve been bad, I would never had the streams on it I have now. Also, I would not have returning listeners. (Which I have, even yesterday people played it, without running an ad.)
- Comparison with Spotify is wrong. For Spotify you need to sign up to listen to anything. For Choon you don’t have to. Big difference.
- I never used ads to get likes. Another accusation based on nothing. What’s a like worth if it doesn’t result in listens? Waste of money in my book. But if I had, I would not have 400 likes, more like 25.000…
- You’re experience seems very huge. How old are you? In your 80’s? Too bad it doesn’t show in the quality of your music. I would expect a higher production level from someone with your experience.
- I can compete with guys like Darude and Gareth because of ads. With only socials it’s not possible. Which makes my charting logical, but yours far from it.
- I produce music for over 15 years. Also, why I don’t release 3 tracks in a week, like you, is because it takes time to deliver quality. But you don’t understand what I talk about anyway…
- Thanks for reminding me on those socials posts. Prove that I’m lying? About what? All my charted tracks in Aug & Sept 2018 came from socials posts and ads Sean ran, on either his podcast or his own tracks/remixes. The one from Dec is a combination of ads and social media engagement.
- Do you think I just sit back and enjoy the revenue from ads? That I didn’t do anything to promote Choon, other artists etc.? You don’t know what you are talking about, again…
- Sean’s track with 10 remixes are all better than any of your crap uploads. Just as a sidenote. Also, stop calling it Trance. You never made a trance track.
- The NOTES increase is because there are no scammers anymore. The audience was never there. Just a bunch of artists playing eachother’s stuff day in day out. I debunked that in the first reply already. FYI, repeating an argument doesn’t make it stronger, or true, all of a sudden.
Feel free to reply some more, because it’s a delight picking your arguments apart. You connect dots where there isn’t even a line to draw. As for the person that has to mature a bit, if you are that experienced in life, maybe you should give the right example. But I don’t expect anything from you at this point. Goodbye, and good luck running your scheme elsewhere...
RE: CHOON (MUSIC STREAMING BLOCkHAIN PLATFORM, THE HISTORY OF A FAILURE! )