On the off chance that Mozart outlived Beethoven, he would definitely have been awed by Beethoven. One biographer reveals to us Mozart heard the youthful Beethoven play, and a short time later stated: "mark that young fellow, he will become famous everywhere." So they more likely than not had a ton in common, to perceive each other's musical abilities. In any case, Beethoven is basically on an alternate plane, with regards to greatness and the radiant.
In Mozart's time, a "coda" was a perfect, traditional closure of a development. In the principal development of the third Symphony, known as the Eroica ('Heroic'), exactly where you are expecting one of these formal endings, Beethoven abruptly veers off an unforeseen way. This opens up a radical new domain, as though the music is getting a revitalizing burst of energy. He resembles a pioneer who can't stand to rest, insofar as there are new regions to prevail.
In Mozart's Marriage of Figaro, you feel the tremors of the French Revolution. In Beethoven's Eroica, time of probably unfathomable conceivable outcomes has conclusively arrived. What's more, that was just a phase on the voyage. The sentimental delicacy of the Fourth is another amazement, the "destiny thumping at the entryway" of the Fifth is another. The Sixth summons up an immense tempest, in a route at no other time heard in music.
With Beethoven, we are constantly mindful of a battle to wrest something from hard-headed material. Mozart's awesome flawlessness we can wonder about, however Beethoven's battles are more human, and additionally moving.
