Ah the classic 1176 compressor! Introduced by UREI in 1967, it has a unique sonic characteristic, has been used on countless records and is still a staple for almost every mix engineer today.
But if you've never used one, where do you start?
Whether you're using a hardware version or a virtual like the Waves CLA-76 Compressor or the UAD 1176 Classic Limiter Collection, this approach is a fantastic place to start.
- Set the Ratio to 20:1
- Set the Attack to the slowest setting, typically 1.
- Set the Release to the fastest setting, typically 7.
- Leave the Input and Output settings on their default, this may be 30|18 or 24|24. You shouldn't really need to change this but try each and see which you prefer.
If you're not happy with the sound, move the microphone.
It's more likely that poor mic placement is the culprit, not the compressor. Go put your head where the mic is, if it doesn't sound good, you don't want the mic there!
Previous posts:
- Turn your headphones into speakers with Virtual Studio
- How to create haunting atmospheric vocals
- EQ your tracks using reverb
- Use your iPhone as a room mic
