Variety of the comic
There are many degrees. Starting from the most innocuous joke to satire. Humor is a good thing, it's a huge area. We laugh at things that are fixable, things that are forgivable. Very often our deficiencies have passed the norm and it seems funny. Humor itself has varieties. without him a man can not be a healthy soul, the very word humor means "soul moisture". Satire is the pole of humor. Sometimes it is not funny at all, there are works that are scary. it's terrible humor. this is a cartoon that has been brought to shock. In humor and satire we can hardly grasp the music. Ironically, one text is communicated in a direct text, but one must be understood in another context. the favorite tool of comedy is irony. Irony is a clever and artistic attitude. It's a game. There are many varieties of irony. There is no author who does not serve with irony. It occupies the widest point. It is a veritable attitude. The real field of irony is literature, the press. one very important variation is parody - a relationship between two texts behind which two authors sit. It takes some text that is imitated, but in order to be intelligent. Usually, in order to unravel it. Let's have a fresh, different look. All modern literature is parody. The main tool is parody. It assists some resemblance; it is false; the author plays with the subject of parodying. Great parodyists are Voltaire, Pushkin. It is not possible to think that with the parody you can enjoy your predecessor. It's just a game. Parody is always malicious. Another variation is grotesque - it is a mixture of tragic and comical. It serves satire. It is the most complex one. Comes from the Greek duo "grot" - a pizzerah, it is something between comic, scary and fantastic. It combines unmatched things to connect contrasts. The role of contrasts is extremely important. Wakes up an effective response.
Comic-nature and means
First Theory - A Negative Property Theory - Comic is what is a negative phenomenon. The subjective marker is the theory of superiority (theory of Hobbes). We are delighted to have overcome it. A second theory - the theory of degradation - a very important person turns out to be low. We expect something significant, but it is not. There is something contradictory, something is presented. There is some contradiction. We have several reasons to assume it's comical. At the base of the utensils there is some desire. Beauty is inherent in things. The comic belongs to the objects. Others say comic is a subjective attitude. In the subjective country, we laugh. It is understood that laughter is important, healthy. Laughter is a big weapon in the fight against flaws. He can help, he can help people overcome the pain, the shortcomings. Comedian can be defined as a defeat of the real in the conflict with the ideal (behind the laughter stood the ideal). Laughter is aching, exalting. Aristotle explains: laughing. The comic is often mixed up with funny. Fun is what's in life. hegel claims that the comic is objective to the phenomena outside us. The comic is the funny thing that can harm society. We sometimes laugh but not because we experience joy or laughter. There is a laugh that is the expression of some irritant. Laughter is loaded not only psychologically but also ideologically. Laughter culture is one of the greatest achievements of mankind. the comedy arises in ancient Greece, during Carnival Dionysias. A comedy's symbol is a fable. The comic mask has a long existence. They are cobblestone and made in antiquity. the first to raise the comedy is Aristophanes. Aristotle respects the comedy, but does not honor the mime. Laughter is a mistake and ugliness, painless and unpopular - Aristotle. The comic is something that can be repaired, no need to interfere with the law, it is not dangerous. In the Middle Ages they throw away the comedy, but the funny continues to live. The comic and ridiculous time of the Renaissance is realized. Dante writes: "Divine Comedy," but it is not funny and comical, after it many writers show comedies that have nothing funny, they become a tradition. The metaphorical cliche is perceived: "life is a theater, life is a comedy". We are the authors and performers of the comedy. In Shakespeare, the comedy acquires a variety of forms. Shakespeare mixes ridiculously funny, funny with a tragic, with everything. Laughter becomes an element of all genres. the Renaissance funny is very varied, it becomes quite expensive in some cases (Decameron). The Renaissance has its own idealistic principle. Worthy of laughter are dullness, lust, that is, the Renaissance laughs at will, the center of laughter is an essential individuality. An intuitive theater is being set up. it's free. Each landscape of Moliere embodies a prophet. We have no mixing. Molière idealizes when he deals with a prophet, he does it, deepens himself in it. Modern comedy is usually not a pure comedy, it is a tragic comedy. Uses the means of irony and grotesque.
We have comparisons of opposites, the claim is exploding. Comedy has a character. The laugh is very serious because it is charged with criticism. Laughter strikes, especially the rulers. He is a weapon in a revolutionary situation. what seemed serious, but his time was over and it turned out funny (Don Quixote). Voltaire's laughter was more than Rousseau's laugh. laughter can contemplate. It is part of the culture of society. How accurate a sign of civilization and culture can we tolerate humor. Insight is a different visibility of humor, a gift. This is the one who creates, creates humor. A sense of humor is a measure of intelligence. One must have a great deal of humor to bear the criticism of mockery. There is no craving for the comedy. Of all crafts, the laugh of a comic was the hardest. The most dangerous craft is satirical. Fun is the broadest aesthetic category, it has the largest register. there are too many degrees. Starting from the most merry, joyous innocent joke and reaching the satire that is murderous. All this is the perimeter of the comic. It is very moving, there are many expressions, faces. funny has a very rich terminology. It starts from the body - a human body, flaws, excesses in the body. To laugh we treat what we hide - wickedness, disparate human flaws. The source of laughter is the costume, as the man affects the costume. Understand the costume for a person, it becomes a matter of deviating from the combination. The mix in the suit is also important. The fun is manifested in character, there is such a comedy, it is called a "comedy of character". This character is manifested in clothes, speech and manners. Comedy of Circumstances - Unexpected incredible things happen. A multifaceted source of comedy is language, it is filled with attractions. To make it look funny, it is exaggerates.