“Grunge is the new art.” That’s what these photos wanted to say while I stood there, just waiting for my bus. Some artworks celebrate splatters, scratches, and worn-out surfaces; so why not do the same with photography? I framed this quick set in my usual window-style collage, turning a few urban photos into a small study in texture.
Top-left, a battered metal edge holds decades of dents and fingerprints. The latch is crooked, the paint is tired, and the blur of the road behind it softens the scene just enough to let the scars speak. Top-right, a pillar with peeling layers forms a map of cracks, shapes that look accidental at first, but feel deliberate the longer you stare.
Bottom-left is the orderly rebel: tiled geometry sliced by a bold black shape. It’s clean yet imperfect, like a poster weathered by time. Bottom-right hides a coiled handle tucked into shadow. Screws, dust, and that ribbed grip create a silent rhythm—industrial poetry, if there is such a thing.
Black and white was the obvious choice. Color would only distract from the grit. I pushed the highlights, lowered the black point, and kept the midtones honest to draw out every chip, scrape, and edge. These marks aren’t flaws; they’re evidence—proof that objects live, work, and age right alongside us.
I like the idea that art doesn’t have to be polished. Sometimes it’s the stubborn textures we pass every day that carry the strongest stories. Today, a few minutes at a bus stop became a tiny gallery of grunge, nothing fancy, just real.
”To see in color is a delight for the eye, but to see in black and white is delight for the soul.”
~ Andri Cauldwell
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