Focusing at a bud and adjusting the lens opening to make leaves blurred nicely, I captured a mysterious breath of new life. EF-S 60mm f/2.8 Macro USM·1/50 sec.·f/3.2 makes it a completely different experience th 
When shooting high-magnification microphotography to capture the mysterious world at that scale, special care must be taken to prevent hand shaking. Clear pictures without blurring can be shot by using a tripod and macro flash. MP-E 65mm f/2.8 1-5x Macro Photo·1/125 sec.·f/11 (2x magnification)
Points to keep in mind when doing macro photography When taking photographs with a macro lens, controlling the depth of field and preventing the camera from shaking are very important. Compared with ordinary photography, the depth of field with a macro lens which has a short focusing distance is extremely shallow. 1:1 photography with a 180mm macro lens offers a depth of field of less than 1mm at maximum aperture. By blurring the area before and behind the subject taking advantage of the shallow depth of field, it is possible to emphasise the subject. That said, when you are taking a photograph of merchandise for an advertisement and want to make sure the entire subject is in focus, close the aperture and position the camera so that the subject is as parallel as possible to the camera’s focal plane.
Landscape
A wide-angle lens is the best for capturing the grandeur of nature. Here an EF 28mm f/1.8 USM is used to capture the composure of the distant mountains. EF 28mm f/2.8·1/180sec.·f/11
Even the nimble amphiprion ocellaris can be captured in focus using autofocus. Location: Ishigaki Island, Okinawa Prefecture (Japan)·water depth: approximately
8m/26ft.·EF 180mm f/3.5L Macro USM·1/125sec.·f/8·ISO/200·white balance/auto white balance·underwater housing·2 underwater flashes·autofocus