. Violin 3/4 arrived in very poor condition.
. it arrived lightly connected and the upper panel was much separated and the lower right flank of the upper panel was broken
, even the Soul post relaxed and fell
here at the top of the head of the Violin is missing a small tiny piece of Ebony wood that serves as a cable car,
, used to lift a little of the fingerboard wires so that it could be played as the wires were lifted slightly
. These holes that are seen on the head of these holes serve to keep the tension alive are also a little tidy to better fit Chivia
. this is how it looks on the inside with a shattered chunk of top plate and mattress
. this is the upper panel of the Violin, but from the inside it is rarely seen
, this strange bridge is reminiscent of the Skate Ramp and is intended to separate the sound and withstand vibration when playing and resting
. these are nicer they have to hold the tension of the wires so obviously it has to be very tight when getting this made nicer
. This is actually a frame construction bracket, the edges of it being fragile at the same time fragile without internal reinforcement .
. i like it so good it looks fine precision glued. The glue used is a type of Tutkalo otherwise bone glue .
. these tiny frame bars represent the 1MM SPEED scale
. the lower side spoke below the Fi recess is clearly visible here
, the upper veneer is slanted into the spokes and binds to the bolus the lower connection of the spokes to the outside
. This is a Fingerboard otherwise it is made of different materials depending on the type, need and quality
, what is interesting is this deposit of this dirt
. That's not dirty, that's the playing layer
. It's called rosin, otherwise it's a resin that shrinks from the tree to become rigid to keep the string lubricated.
, such a lubricated string does not slip, but cuts strings, so it creates sound
. as we play, we go downstairs at that moment, and it touches the wire as if it were smeared on the strings of the ass.
, it creates a tiny cloud of rosin dust that is stuck in the soft dust on the strings and when rubbed and struck by the string, it loosens and sticks to the strings
. a good small part stays glued to the fingerboard so it settles down over time and changes color
, it is not terrible that years the instrument was played and not cleaned, even well it is the only way to see how long the resin dust deposition looks superficially and clean to be pure wood
. The upper part of the panel approximately at this part of the fingerboard creates hay towards the fi orbs that go towards the rear
, which holds the tension of the bridge tightening a maalo button resting on the neck of the player
. these dark bulging dark spots are the deposits of rosin and this light wood color is the place where the varnish has fallen off
. quite neglected
. These two black stripes in the lower right are reinforcements of the edges of the violin upper and lower panels
. I wonder how they manage to put that in such thin material.
, gently dig the edges of the two grooves into the cone and put hard sections of wood circles cut into the grooves into the grooves
, the reinforcements in the fall, the fracture help to stop the crack at the fracture
.
. this bright bottom edge is the edge of the violin this broken part is seen the armature tiny but again buried in the camel on the tapontank part
. from the outer armature outwards downwards below the outer one can see a crack which stopped to break and save the panel
.
. on the other side of the broken lower flank
. and this is reinforcement
. This is the last part of the violin that rests on the neck of the player
, plays a big role in making sound because it serves as a sound carrier, all the load on the tension of the wires on the head that ,
, they load on four nuts that have a single wire threaded through a hole wound on themselves
, the tightened wires settle on the Viin Nut and head toward Bridge where they lean and move towards the back
, di between the Bridge and the back of the violin there is a part where the wires are attached to the end where the roller is wrapped so that the wire can be hooked
, the tension over the edge of the violin is in the middle of the hole at the edge between the top and bottom panels
, at this junction they knew how to use an iron wire that can withstand high loads, but being too hard in this respect damages the tree, where it leans inwards down around the Button
, today they are more modern materials, so this piece is made of elastic hard plastic with thread ends and a nut for easier fastening around the button that holds all the tension because it has the most materials to lean on
. this piece so important is unfortunately difficult to control if it is cracked because it has to choose the whole because of the whole construction
, only when it is opened is it rare and almost never to open a violin and check that piece
. the piece is beautifully cracked and tones Tensions turn into resistance di ori fall and tensions loosen the wood
, if it had not opened it would not have been known that it had burst
. the rupture almost imperceptibly
. this inside is a flattened part missing on the lower right flank of the Violin 3/4 upper panel, this cylindrical Sount poost that serves to transmit pressure from the upper to the lower panel to not burst and thus transmits sound through vibration thus plays a big role in color the voice of the Violin
. my little tiny piece of magnifier seen in the photo of the inside of the top panel, that little magnifier helped me to take photos like this with my cellphone because I'm not able to do something better .
. THE END
. the text and photos are my own as on Steemit so far .
