We focus on the object in the picture while we take the picture. It's about what to put in the picture. So when we first learn about photography, we learn how to put things in the picture. How to expose the object, how to make the aperture effectively, and how to construct the frame to catch the attention of those who see the picture. These factors, such as exposure, composition, perspective, the direction of light, depth of the screen, framing, exterior screen, arrangement between objects and objects in the picture, and direction of gaze all contribute to making a picture aesthetically beautiful, and these are the basis for touching any sense embedded in the human mind. Just as we listen to the chords of music and accept that the physical phenomena where sound and sound are synchronized with each other are natural, the various components that make up the picture eventually lead us to complex physics and chemistry in our minds when we recognize it It gives aesthetic pleasure.
However, all the photographs contain the photographer himself who takes the subject, whether he intends or not. When someone talks, he or she cares about the words "how can the other person accept?", But the person who listens to the word looks more impressive about the way the person speaks. These are called nonverbal messages. Even if it is somewhat strange and stubborn, it is good to feel the honest heart of the person. On the other hand, if the person is right and courteous, if he feels purpose or ritual, it feels bad.
A photograph of a person reveals his or her most essential image without knowing it. It is more important in what context the person who puts the photos and what kind of attitude he or she puts on the photo, who is carrying people who are busy in the middle of the big city where photos are taken in the alleyway of the falling down town. One interesting phenomenon is observed here. We often think of ourselves when we are alone, or when we are with our most comfortable companions, out of social relations with others, as the most straightforward of ourselves. So, in a social relationship, one's appearance is a kind of compromise formation, and the appearance of such a roughness is an essential aspect. But that's not totally right. In fact, a person's appearance is itself in the form of compromised formation itself. It is not the time to come home after work and spend time alone with family or traveling alone, but rather in the context of complex social life, the interaction between self and the outside world, It is the true shape of the person. Individuals who are out of the social context are likely to regress in a cozy environment. To meet the energy consumed in a serious adult world, we are still regressing into a comfortable relationship, crying, laughing and fighting as easily as a child. In that sense, photography is a fairly autistic act. The world is essentially made up of the relationship between the self and the object, but in the photograph, the object is not an object of me and other extraterrestrials but an object to which I have given meaning, whose meaning is in me, essentially my projection I have a conversation with myself. In that respect, the photographs that I have created by working alone are like a sort of monologue, revealing only a part of myself. Such phenomenon also occurs in photo appreciation. Most of the impressions and shocks we receive from photographs reflect the lives of the photographer himself and often are my projections of photographs rather than projections of the artist's life. So while looking at the same picture, the photographer 's view and the audience' s view face each other, but they see each other without seeing each other 's face. They are doing together but thought differently. The way to get out of such an autistic eye is to cross the line and talk. Without a time for artist and audience to walk together for a long time, to converse with each other, we will forever fall into each other's world and look at the same objects from different points of view.
Let's take a picture of yourself for a month and unfold it in front of yourself. What do these pictures tell you about yourself? Most of us are not professional photographers, and we are the ones who pour most of our energy into keeping up their lives. The photographs that we create are inseparably fragmented, my projections, and therefore the point that they are aiming at and the pictures they are pouring are of course different. If I want to go to any point through the picture, what does it say to me? What does the gap that between the picture I create and where I stand describe about me?