[Текст на српском] Protests are now fashionable throughout Europe, and beyond. Serbia is not lagging behind. Yesterday, in the center of Belgrade, about 40,000 people gathered, blissfully unaware how the matrix manipulates them, and blocked the traffic. Your Hive account@lighteye almost miss a concert of young authors in the Belgrade Philharmonic Orchestra…

Fortunately, Hive account@dragannenadic and I, managed to arrive at the better half of the concert. The one featuring already twenty-year-old Veljko Nenadić, a student of composition at the Belgrade Faculty of Music Arts, in the class of professor Isidora Žebeljan.

^{Veljko Nenadić performs the compositions of his colleague, Mateja Nikolić}

The concert is usually held to present to the wider public of young talents from the Faculty of Music Arts, and possibly future members of the Philharmonic Orchestra.

The next composition is the work of David Atanacković entitled “The Play for soprano and three flutes”, and the performers are: soprano, Jovana Anić and flutes, Sanja Marić, Tamara Pantić and Mila Dobrosavljević.

^{The Play for soprano and three flutes}

^{Wider view at the Belgrade Philharmonic Orchestra Concert Hall}

^{Jovana Anić, soprano}

^{Sanja Marić, Tamara Pantić and Mila Dobrosavljević, flutes}

Then we had the opportunity to see Olga Janković, who took the piano solo called “Ama”, inspired by the film of the French director Julie Gautier.

^{Olga Janković, “Ama”}

The finale was reserved for Veljko's composition “Trag” (Trace), which was written this year for soprano, cello and piano, and along the verses of the great Serbian poet Miloš Crnjanski.