Best Selling Albums Series: Shania Twain - Come On Over #7

Come On Over is the third studio album by Canadian singer Shania Twain, produced by Robert John "Mutt" Lange and released by Mercury Records on November 4, 1997. By the way, Lange was Shania Twain's then-husband and they worked together on the album.

Come On Over is a country pop album with pop and rock influences. The songs on the album feature rock riffs and electric guitars, as well as country instrumentation such as acoustic guitars, fiddles, and pedal steel. dditionally, the songs on the album explore themes of romance and female empowerment, addressed with humor.

The songs "You're Still the One", "From This Moment On" and "That Don't Impress Me Much" reached the top ten on the US Billboard Hot 100 chart. Come On Over received widely varying reviews from music critics, with some critics appreciating the album's crossover appeal and country-pop experience, while others criticized the lyrics and questioned its country music categorization. Additionally, the album was nominated for Album of the Year and Best Country Album at the 41st Grammy Awards in 1999.

Come On Over peaked at number two on the US Billboard 200 and topped the charts in many countries, including Australia, Canada and the United Kingdom. Come On Over has sold over 40 million copies worldwide and is currently the 7th best-selling album. Additionally, the album was recognized by Guinness World Records as the best-selling studio album of all time by a solo female artist. Additionally, it is the best-selling country album in the United States and was certified 20× platinum by the Recording Industry Association of America (RIAA) in 2004. The album Come On Over is said to have revolutionized country music both musically and visually.

Information about Come On Over Album

Released : November 4, 1997
Recorded : 1975–1976
Studio : Emerald Sound - GBT - Masterfonics Tracking Room - Seventeen Grand Recording (Nashville)
Sven (Mamaroneck, New York) Sound Barries (New York) - Glenn Gould (Toronto)
Genre : Country pop - pop
Length : 60:08
Label : Mercury
Producer : Robert John "Mutt" Lange

Track Listing

"Man! I Feel Like a Woman!"
"I'm Holdin' On to Love (To Save My Life)"
"Love Gets Me Every Time"
"Don't Be Stupid (You Know I Love You)"
"From This Moment On" (with Bryan White)
"Come On Over"
"When"
"Whatever You Do! Don't!"
"If You Wanna Touch Her, Ask!"
"You're Still the One"
"Honey, I'm Home"
"That Don't Impress Me Much"
"Black Eyes, Blue Tears"
"I Won't Leave You Lonely"
"Rock This Country!"
"You've Got a Way"

If you want to listen to all the songs in the album: Spotify playlist - Apple Music - Youtube playlist

There are great songs on the album Come On Over, I love most of them, it is really difficult to choose one as my favorite, but I can say that my two favorite songs on the album are "You're Still The One" and "Man! I Feel Like A Woman".

Shania Twain - Man! I Feel Like A Woman

Shania Twain - You’re Still The One

"You're Still the One" was one of the most played songs on the radio in the late 90s, if you were listening to rado at the time it is impossible not to have heard this song. It's a tender ballad, sprinkled with organ, piano and guitar, and, on the bridge, quivering pedal steel and harmonie.

Especially the lyrics at the beginning of the song are incredibly impressive.

Looks like we made it
Look how far we've come, my baby
We mighta took the long way
We knew we'd get there someday

They said, "I bet they'll never make it"
But just look at us holding on
We're still together, still going strong

I have a memory related to this song, but I will not talk about it in this post. To put it briefly, these were the lyrics that I once shouted with pride, despite the obstacles. Really great song, great performance by Shania Twain and great music. Even after 25 years it can still touch my heart, great works never get old.

Question of the Day : What is your favorite song from Come On Over Album? Why? If you don't have an answer to this question, you can mention your favorite song in the comment. Why?

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