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⚡️ Whitepaper ⚡️
Everyone knows that talented people most often suffer from social injustice. In their youth they have to defend the right to survival, and only a few talents manage to achieve recognition in the first half of life. Most can not become famous until old age. It would seem that the 21st century put an end to this sad lottery, but now musicians have to make titanic efforts in order to monetize their talent and get an adequate, fair price for it.
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The situation began to improve for the better at the moment when network data channels expanded and began to stream video and audio. Mentally appeared resources, offering to listen to online music, online radio stations and trading platforms, where you could buy almost any known composition in digital format. But it is the well-known: the compositions of novices and amateur musicians do not take on large resources.
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The platform VOISE, which will be discussed below, positioned itself exactly as a service for indie performers, talented, independent, but not too rich and popular. It would seem that the approach is dead-end: on unpopular music, money can not be done. But various surveys confirm that the percentage of people tired of the music mainstream is constantly increasing.
The differences of the VOISE site are not only in the marketing approach. Its technical filling also differs, based on a distributed network based on the Blockbuster Efirium. With this platform, crypto currency experts are well familiar, it is in this segment that technology has been used since its inception. However, the possibility of its application is much broader than the financial sector. VOISE is another example of the fact that good technology sooner or later becomes universal.
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Service VOISE allows you to immediately download music in popular music formats and offer it to everyone. At the same time, the musician has the right to choose on what terms the download will be available - for free or for money. Money on VOISE revolve its own, their name is Voise token. Some time ago, when the site was not yet, but there was a project for its creation, the initiative group collected funds for the start of the project, giving Voise tokens in exchange for financial support. The project started, and, by agreement with investors, they can use the released virtual money to purchase content on the service. All interested persons can get tokens on crypto-exchange exchanges.
It's too early to say that the project has taken place and does not require any improvements. Ahead of the mass of news, changes and improvements. The interface is constantly being processed, applications for mobile devices are in the beta stage. The very situation, which requires buying a crypto currency for making a purchase, can be alarmed to many: crypto currency has not taken root in all countries of the world. Nevertheless, the project is alive and actively developing. The plans of VOISE owners are to solve the problem of the inconvenience of calculations, and this problem is promised to be solved in the very near future.
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In addition to the distributed network Blocker Ethereum, which differs from the usual methods of storing data with cheapness and increased level of reliability, VOISE offers its users an easier to understand bonus: no commission of the system when making sales of music. Most of the resources live at the expense of the commission, hence the unwillingness to "get stuck on the air" with songs that have not passed the stage of preliminary promotion.
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Regardless of how the real money problem is solved, regardless of when this happens, musicians can start using VOISE now, on a free basis. The platform is ideal for presentations and presentation of their creativity to listeners.
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Speaking of presentations. The management of VOISE does everything possible to make its offspring popular in the music world. Virtually no significant event related to the sale of music content, is not complete without the appearance of representatives of VOISE. If the intensity of their advertising activity remains at the same level, after a while the service will become popular, and the organizers will have to solve another problem: how to satisfy the demand of network music lovers for good, interesting, original talented music. Most likely, they will cope with this problem: not every talent dreams to sign a bonded contract with the label or to perform what the experienced producer in media commerce prescribes to him.
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pontorez
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