Qavvali at Asian country Chowk introduces performers to a various audience
It was Associate in Nursing uncommon expertise, in an exceedingly great way.
The Asian country Chowk Community Centre (PCCC) on Saturday evening organized a qavvali performance by Subhan Ahmed Nizami at the chowk. The raised area from wherever 2 roads render to hit Shahrah-i-Liaquat (formerly Frere Road) was well lit, with Daris extended on the ground and a Takht-like stage placed before.
One doesn’t recognize whether or not the those that run retailers round the chowk had any plan on what was on the brink of happen there. What one will recognize is that once the qavvali began, there have been some boys, men, and youngsters UN agency stood outside the performance space thirstily paying attention to Nizami and his team. although they were requested to return in, a number of them shied away, that is graspable.
Nonetheless, it had been a inspiriting sight, and maybe that was the organizers’ intent: to interact the general public, the common person, in Associate in Nursing artistic/spiritual activity that doesn’t happen fairly often. this can be the sort of engagement that others UN agency hold art-related events within the town within the name of public ought to emulate.
And yes, there was a K-Electric truck put on the left aspect of the PCCC area and people UN agency were in it appeared to relish the qavvali. one or two of bus drivers conjointly found the light-and-sound affair attention-grabbing as a result of that they stopped their buses and peeked into the chowk.
Audience participation is vital to such endeavors. [*fr1] Associate in Nursing hour into the performance the tiny area got pretty jammed. It should have inspired the qawwals without stopping.
Nizami started off with the naat 'Merey banay ki baat'. it had been nicely conferred. it had been followed up with 'Mann kunto maula'. The spirited beat of the composition had (some members of) the audience move to the sound of the tabla. Then came the manqabat 'Kirpa karo khwaja'.
After that Nizami performed a Punjabi kalaam 'Nagri wasay shala'. By this point the event had gathered nice momentum. people who were observance from the surface too had settled in (wherever they were standing, that is).
Another manqabat 'Tori surat ke bal haari nijaam' brought the mood back to the pious domain, solely to be heightened by succeeding and therefore the celebrated 'Chhap tilak sub'. and the way may 'Laal meri pat' be ignored? tired all, a awfully ‘engaging’ event in each sense of the word.
